Late 1960s: Fred Marshall and The Light Sound Dimension
On February 13, 1966, at the age of 19, Bivens married jazz bassist Fred Marshall (Frederick Calvin Marshall, 4 October 1938 - 14 November 2001). Marshall had worked with a number of West Coast rock bands and been a member of the Vince Guaraldi Trio which famously recorded the incidental music for television specials based on the Peanuts cartoons of Charles Schulz. Guaraldi had been an habitué of the hungry i club and Marshall's own band, the Ensemble, played at the Fillmore Auditorium in San Francisco on the same bill as Jefferson Airplane on the night in October 1966 that Grace Slick first sang as their lead vocalist.
In 1966, Marshall began to collaborate with lighting technician Bill Ham (William Gatewood Ham, born 26 September 1932), who is generally credited with creating the first psychedelic light show, a concept that originated in the "beat" era of the 1950s and became a feature of many late 1960s rock concerts. Together with Jerry Granelli, who, in addition to playing on We Five's first album, had also worked with Guaraldi and been a close associate of the songwriter and producer Sly Stone, they formed the Light Sound Dimension (which, as with the Beatles' 1967 song Lucy in the Sky with Diamonds, many were quick to notice bore the initials LSD), an "audio visual multi media group" combining lighting technology and experimental music. The LSD, which continued into the 1990s, established itself at various West Coast venues, including the San Francisco Museum of Modern Art and the Fillmore Auditorium (which, with its "omnipresent pot smoke" noted by songwriter Carole King, became known for its psychedelic posters), and appeared with, among others, Big Brother and the Holding Company and the Grateful Dead.
Read more about this topic: Beverly Bivens
Famous quotes containing the words late, fred, marshall, light, sound and/or dimension:
“Progress would not have been the rarity it is if the early food had not been the late poison.”
—Walter Bagehot (1826–1877)
“Another one o’ them new worlds. No beer, no women, no pool parlors, nothing. Nothing to do but throw rocks at tin cans. And we gotta bring our own tin cans.”
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“I acknowledge that the balance I have achieved between work and family roles comes at a cost, and every day I must weigh whether I live with that cost happily or guiltily, or whether some other lifestyle entails trade-offs I might accept more readily. It is always my choice: to change what I cannot tolerate, or tolerate what I cannot—or will not—change.”
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“Like a poet hidden
In the light of thought,
Singing hymns unbidden,
Till the world is wrought
To sympathy with hopes and fears it heeded not:”
—Percy Bysshe Shelley (1792–1822)
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There is a silence where no sound may be,
In the cold grave—under the deep, deep sea,
Or in wide desert where no life is found,”
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