Reception
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic | |
| IDS | |
The album debuted on the Australian Albums Chart on 12 October 1998 at number fifty-eight, not as successful as The Garden which debuted at number five. It then dropped thirty-seven places to ninety-five. The album spent its last week in the chart at number ninety-four with a total of five weeks in the charts. In the U.S. the album was released six months after "Lonely" and did not have much promotion so it failed to chart on the Billboard 200.
The singles released from Between the Days were unsuccessful in most music markets. "Lonely" was the first song released from the album and was not a huge hit only peaking at number forty in Australia but was quite successful in Japan were it peaked at number twenty-five. "Lonely" was Bainbridge's third song eligible to chart in the U.S. but failed to crack the Billboard Hot 100 where it peaked at number eighteen on the Bubbling Under Hot 100 Singles Chart. "I Got You Babe" the second song released and is a cover of a Sonny & Cher song was not her most successful song only peaking at number sixty-two in Australia. "Between the Days" and "Walk on Fire" were also released as singles but failed to chart.
Read more about this topic: Between The Days
Famous quotes containing the word reception:
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)
“To aim to convert a man by miracles is a profanation of the soul. A true conversion, a true Christ, is now, as always, to be made by the reception of beautiful sentiments.”
—Ralph Waldo Emerson (1803–1882)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)