In Popular Culture
- In the 1963 James Bond movie From Russia with Love, the strategy of the criminal organization SPECTRE is compared to three Siamese fighting in the same tank: Two will fight each other to the death while the third will wait its turn to fight the exhausted victor, symbolizing the conflict between the USA and the Soviet Union, with SPECTRE as the fish that waits.
- The title of S.E. Hinton's 1975 novel Rumble Fish, is an eponymous reference to what two brothers call the breed. In Francis Ford Coppola's 1983 film adaptation, everything appears in black and white except the Siamese fighting fish.
- A 2006 episode of Cold Case ("Saving Sammy") features a boy with a pet Siamese fighting fish.
- The Siamese fighting fish has been used as the default background in the beta and release candidate versions of the 2009 Windows 7 operating system, in an apparent reference to the name "Betta." A similar wallpaper and boot-screen also used in the pre-releases of Windows 8.
- A Siamese fighting fish features as a clue in a murder in 2009 film Bad Lieutenant: Port of Call New Orleans.
- Milo, one of the main characters in the Disney Channel's 2010 series, Fish Hooks, is a Siamese fighting fish.
- In the BBC children's series M.I.High, the plot of one episode involves causing the children to have their minds altered to that of a fighting fish by use of brainwaves distributed in a Van de Graaff generator.
Read more about this topic: Betta (Siamese Fighting Fish)
Famous quotes containing the words popular and/or culture:
“Fifty million Frenchmen can’t be wrong.”
—Anonymous. Popular saying.
Dating from World War I—when it was used by U.S. soldiers—or before, the saying was associated with nightclub hostess Texas Quinan in the 1920s. It was the title of a song recorded by Sophie Tucker in 1927, and of a Cole Porter musical in 1929.
“Any historian of the literature of the modern age will take virtually for granted the adversary intention, the actually subversive intention, that characterizes modern writing—he will perceive its clear purpose of detaching the reader from the habits of thought and feeling that the larger culture imposes, of giving him a ground and a vantage point from which to judge and condemn, and perhaps revise, the culture that produces him.”
—Lionel Trilling (1905–1975)