Betel Nut Beauty - Social Questions

Social Questions

Controversy surrounding betel nut beauties generally centers on two questions:

  1. the propriety of their revealing dress in public places and
  2. whether their dress marks them as victims of exploitation.

Betel nut beauties often hail from agricultural and working-class sectors of Taiwanese society. This has led some critics to regard their revealing dress as a sign of exploitation. Other observers take a more benign view. If most betel nut beauties come from agricultural and working-class backgrounds, so do their customers and employers. Betel nuts are, after all, an agricultural product. These observers are more inclined to see these betel nut vendors as self-empowering: young women with few resources who better their economic situation by employing a marketing technique that requires confidence. The same approach is evident, they say, wherever trade show and fashion models do their work. Ordinances that target betel nut beauties exclusively, say these observers, smack of hypocrisy and class discrimination.

The Center for the Study of Sexualities in National Central University has been promoting the self-empowerment of betel nut beauties. Citing other occupations that also involve female nudity, for example, show girls, female liquor promoters, nude models for artistic purposes, pole dancers, or even popular Taiwanese singer Jolin Tsai. The underlying question is whether there are differences in degrees of female nudity.

Read more about this topic:  Betel Nut Beauty

Famous quotes containing the words social and/or questions:

    The things women find rewarding about work are, by and large ,the same things that men find rewarding and include both the inherent nature of the work and the social relationships.
    Grace Baruch (20th century)

    Nobody seriously questions the principle that it is the function of mass culture to maintain public morale, and certainly nobody in the mass audience objects to having his morale maintained.
    Robert Warshow (1917–1955)