Architecture and Art
The station has a total of four independent exits: three integrated into buildings (the Berri, Saint-Denis, and Place Dupuis exits) and one free-standing kiosk (the Sainte-Catherine exit). The station also contains several underground city connections, listed below.
The work of five artists is exhibited in this station. The largest work is a stained-glass mural by Pierre Gaboriau and Pierre Osterrath entitled Hommage aux fondateurs de la ville de Montréal (homage to the founders of the city of Montreal). A gift of the Union régionale de Montréal des caisses populaires Desjardins and installed in 1969, it depicts Jérôme le Royer de la Dauversière, Jeanne Mance, and Paul Chomedey, sieur de Maisonneuve. It is located over the eastern portal of the Green Line tunnel.
Three paintings by Robert LaPalme are located over the main staircase leading to the Yellow Line terminus. Originally located at the entrance to Expo 67, they represent three themes of the Expo: science, recreation, and culture.
A plaque by LaPalme and Georges Lauda, commemorating the inauguration of the metro, is located at the centre of the mezzanine. It is enclosed in a black circular bench, a popular meeting site, referred to as la rondelle (the hockey puck) or la pilule (the pill) or "le banc des fous" (the crazy bench).
There is also a piece of work located in the new Sainte-Catherine entrance pavilion, by architect Gaétan Pelletier. The work is a statue of Mother Émilie Gamelin by Raoul Hunter, commemorating Place Émilie-Gamelin (also called Berri Square) in which the entrance is located. The statue is owned by the City of Montreal.
The most recent Art piece put in place inside the station would be the wall of Peace on concourse level of the yellow line. It is consisting of coloured metal plates bearing the word "peace" in multiple languages.
Read more about this topic: Berri-UQAM (Montreal Metro)
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