Bernard Stiegler - Works

Works

Stiegler has been prolifically publishing books, articles, and interviews since 1994, and in particular in the last several years. His works include several ongoing series of books:

  • La technique et le temps (3 vols.). The Technics and Time series outlines the heart of Stiegler's philosophical project, and in particular his theses that the role of technics has been repressed throughout the history of philosophy, and that technics, as organised inorganic matter, and as essentially a form of memory, is constitutive of human temporality. The series contains extensive readings of the works of André Leroi-Gourhan, Martin Heidegger, Edmund Husserl, and Immanuel Kant. It also contains his explication of the "cinematic constitution of consciousness," as well as his thesis that human beings are essentially "adoptive" and "prosthetic" creatures. Stiegler has at times mentioned further volumes of this series, but these have yet to appear. All three extant volumes have been published in English translation by Stanford University Press.
  • De la misère symbolique (2 vols.). This series is concerned in particular with the ways in which cultural, symbolic and informational technologies have become a means of industrialising the formation of desire in the service of production, with destructive consequences for psychic and collective individuation. Stiegler outlines his concepts of "general organology" (a way of thinking the co-individuation of human organs, technical organs, and social organisations) and "genealogy of the sensible" (a way of thinking the historicity of human desire and aesthetics). It contains extensive readings of Sigmund Freud and Gilles Deleuze, as well as of the works of Alain Resnais, Bertrand Bonello, Andy Warhol, and Joseph Beuys.
  • Mécréance et Discrédit (3 vols.). The Disbelief and Discredit series is concerned with the way in which the industrial organisation of production and then consumption has had destructive consequences for the modes of life of human beings, in particular with the way in which the loss of savoir-faire and savoir-vivre (that is, the loss of the knowledge of how to do and how to live), has resulted in what Stiegler calls "generalised proletarianisation." In this series Stiegler makes clear his view that, in the light of the present state of the global technical system, it is not a matter of overcoming capitalism but rather of transforming its industrial basis to prevent the loss of spirit from which it increasingly suffers. In the second volume Stiegler introduces the concept of the "Antigone complex," to describe the psychosocial effects of the destruction of authority—that is, the destruction of the superego—on politics and youth. The series contains extensive readings of Paul Valéry, Max Weber, Aristotle, and Herbert Marcuse, as well as analyses of the crisis of May 1968 and the crime of Patricia and Emmanuel Cartier. The first volume was published in English translation by Polity Press in 2011, and the second volume in 2012.
  • Constituer l'Europe (2 vols.). In this series Stiegler is concerned with the effects of the destruction of psychic and collective individuation on Europe. He argues for the necessity of inaugurating a new individuation process at the continental level, itself embedded in an individuation process operating at a global level. At stake, he says, is the creation of a new European "motive" which will enable the reinvention of industrial civilisation.

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Famous quotes containing the word works:

    We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.
    Clive Bell (1881–1962)

    One of the surest evidences of an elevated taste is the power of enjoying works of impassioned terrorism, in poetry, and painting. The man who can look at impassioned subjects of terror with a feeling of exultation may be certain he has an elevated taste.
    Benjamin Haydon (1786–1846)

    Do not worry about the incarnation of ideas. If you are a poet, your works will contain them without your knowledge—they will be both moral and national if you follow your inspiration freely.
    Vissarion Belinsky (1810–1848)