Works
Bernard's greatest work is the aforementioned Cosmographia, a prosimetrum on the creation of the world, told from a 12th-century Platonist perspective. The poem influenced Chaucer and others with its pioneering use of allegory to discuss metaphysical and scientific questions. Bernard also wrote the poem Mathematicus and probably the poem Experimentarius as well as some minor poems.
Among the works attributed to Bernard later in the Middle Ages were a commentary on Virgil's Aeneid (Bernard's authorship of which has been questioned by modern scholars) and a commentary on Martianus Capella's De Nuptiis Philologiae et Mercurii. The commentary on the Aeneid is the longest medieval commentary on that work, although it is incomplete, ending about two-thirds of the way through book six.
Read more about this topic: Bernard Silvestris
Famous quotes containing the word works:
“Piety practised in solitude, like the flower that blooms in the desert, may give its fragrance to the winds of heaven, and delight those unbodied spirits that survey the works of God and the actions of men; but it bestows no assistance upon earthly beings, and however free from taints of impurity, yet wants the sacred splendour of beneficence.”
—Samuel Johnson (1709–1784)
“We thus worked our way up this river, gradually adjusting our thoughts to novelties, beholding from its placid bosom a new nature and new works of men, and, as it were with increasing confidence, finding nature still habitable, genial, and propitious to us; not following any beaten path, but the windings of the river, as ever the nearest way for us. Fortunately, we had no business in this country.”
—Henry David Thoreau (1817–1862)
“... no one who has not been an integral part of a slaveholding community, can have any idea of its abominations.... even were slavery no curse to its victims, the exercise of arbitrary power works such fearful ruin upon the hearts of slaveholders, that I should feel impelled to labor and pray for its overthrow with my last energies and latest breath.”
—Angelina Grimké (1805–1879)