Bernard Schweizer - Works

Works

Monographs:

  • Hating God: The Untold Story of Misotheism (Oxford University Press, 2010)
  • Radicals on the Road: The Politics of English Travel Writing in the 1930s (University of Virginia Press, 2001)
  • Rebecca West: Heroism, Rebellion, and the Female Epic (Greenwood, 2002)

Essay Collections:

  • Not So Innocent Abroad: the Politics of Travel and Travel Writing'' co-edited with Ulrike Brisson (CSP, 2009)
  • Approaches to the Anglo and American Female Epic (Ashgate, 2006)
  • Rebecca West Today: Contemporary Critical Approaches (University of Delaware Press, 2007)

Editions of Rebecca West:

  • The Return of the Soldier by Rebecca West, co-edited by Bernard Schweizer and Charles Thorne (Broadview Press, 2010)
  • The Essential Rebecca West: Uncollected Prose by Rebecca West (Pearhouse Press, 2010)
  • Survivors in Mexico by Rebecca West (Yale University Press, 2003)
  • Woman as Artist and Thinker by Rebecca West (iUniverse, 2005)

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Famous quotes containing the word works:

    The whole idea of image is so confused. On the one hand, Madison Avenue is worried about the image of the players in a tennis tour. On the other hand, sports events are often sponsored by the makers of junk food, beer, and cigarettes. What’s the message when an athlete who works at keeping her body fit is sponsored by a sugar-filled snack that does more harm than good?
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    They commonly celebrate those beaches only which have a hotel on them, not those which have a humane house alone. But I wished to see that seashore where man’s works are wrecks; to put up at the true Atlantic House, where the ocean is land-lord as well as sea-lord, and comes ashore without a wharf for the landing; where the crumbling land is the only invalid, or at best is but dry land, and that is all you can say of it.
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    Are you there, Africa with the bulging chest and oblong thigh? Sulking Africa, wrought of iron, in the fire, Africa of the millions of royal slaves, deported Africa, drifting continent, are you there? Slowly you vanish, you withdraw into the past, into the tales of castaways, colonial museums, the works of scholars.
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