Career
After the war he found acclaim. His Elm figure for the 1951 Festival of Britain went to the Tate. He exhibited at the Venice Biennale a year later. He exhibited from New York City to Tokyo and produced a stream of public and private art in Britain and beyond. His edgy pieces often based on animals and seemingly carved from shrapnel could imply Cold War menace. But teaching commitments came at the expense of his own work. He returned to assist Moore from 1977 and continued to help his mentor's estate. He became Professor of Sculpture at the Royal College of Art London between 1960 and 1980.
Read more about this topic: Bernard Meadows
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“It is a great many years since at the outset of my career I had to think seriously what life had to offer that was worth having. I came to the conclusion that the chief good for me was freedom to learn, think, and say what I pleased, when I pleased. I have acted on that conviction... and though strongly, and perhaps wisely, warned that I should probably come to grief, I am entirely satisfied with the results of the line of action I have adopted.”
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