Benozzo Gozzoli - Evaluation

Evaluation

According to the 1911 Encyclopædia Britannica :

Gozzoli's art does not rival that of his greatest contemporaries, either in elevation or in strength, but it is attractive because of its sense of what is rich, lively and abundant in the appearances of people and objects. His landscapes, which are crowded with birds and animals, especially dogs, are more varied, and alluring than those of any predecessor; his compositions are crowded with figures, more characteristically true when happily and gracefully occupied than when the demands of the subject require tragic or dramatic intensity, or turmoil of action; his colours are bright and festive. Gozzoli's genius was, on the whole, more versatile and referential than particularly original; his drawings exhibited some imperfections, especially towards the edges, and in his draftsmanship, and in the perspective of his elaborate buildings. In fresco-painting he used the technique of tempera. Of his untiring industry, the intensity of his work and the number of paintings produced are the most convincing proof... In rectitude of life he is said to have been worthy of his first master, Fra Angelico.

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