Benoxaprofen - Synthesis

Synthesis

The synthesis of benoxaprofen contains a lot of different steps. The Sandmeyer reaction of 4-aminophenyl-alpha-methylacetonitrile (I) with NaNO2, HCl and H2SO4 gives the compound 4-hydroxyphenyl-alpha-methylacetonitrile (II). The next step is nitration with nitric acid in acetic acid which will give 4-hydroxy-3-nitrophenyl-alpha-methylacetonitrile (III). This compound (III) can be reduced with SnCl2.2H2O and HCl in ethanol, or with H2 over Pd/C in the same solvent. The result of this reduction is the compound 4-hydroxy-3-aminophenyl-alpha-methylacetonitrile (IV), which, together with refluxing concentrated HCl, is hydrolyzed to 4-hydroxy-3-aminophenyl-alpha-methylacetic acid (V). When this compound (V) is esterificated with the use of ethanol and HCl, it gives the corresponding ethyl ester (VI). When p-chlorobenzoyl chloride (VII) is added to the previous compound (VI), they will cyclize to pyridine at 100 °C which will result in ethyl 2-(4-chlorophenyl)-alpha-methyl-5-benzoxazoleacetate(VIII). In the last step, this compound (VIII) is hydrolyzed with NaOH in ethanol, which gives benoxaprofen (IX).

Read more about this topic:  Benoxaprofen

Famous quotes containing the word synthesis:

    Our art is the finest, the noblest, the most suggestive, for it is the synthesis of all the arts. Sculpture, painting, literature, elocution, architecture, and music are its natural tools. But while it needs all of those artistic manifestations in order to be its whole self, it asks of its priest or priestess one indispensable virtue: “faith.”
    Sarah Bernhardt (1845–1923)

    If in the opinion of the Tsars authors were to be the servants of the state, in the opinion of the radical critics writers were to be the servants of the masses. The two lines of thought were bound to meet and join forces when at last, in our times, a new kind of regime the synthesis of a Hegelian triad, combined the idea of the masses with the idea of the state.
    Vladimir Nabokov (1899–1977)

    The invention of photography provided a radically new picture-making process—a process based not on synthesis but on selection. The difference was a basic one. Paintings were made—constructed from a storehouse of traditional schemes and skills and attitudes—but photographs, as the man on the street put, were taken.
    Jean Szarkowski (b. 1925)