Career
In the summer of 1992 Millepied attended classes at the School of American Ballet (SAB) and returned to study full-time in 1993, with a scholarship from the French Ministry (Bourse Lavoisier or Lavoisier Scholarship). Early in his career Millepied was mentored by famed choreographer Jerome Robbins, who took a strong interest in him. At SAB's 1994 Spring Workshop he originated a principal role in Jerome Robbins' premiere of 2 and 3 Part Inventions and also received the Prix de Lausanne. Millepied joined New York City Ballet's corps de ballet in 1995, was promoted to soloist in 1998 and became principal dancer in 2002. On 26 October 2011, it was announced that Millepied would retire from New York City's Ballet.
Millepied is also a choreographer, creating dances for City Ballet, American Ballet Theatre, the School of American Ballet, the Metropolitan Opera, the Paris Opera Ballet, Ballet de Genève, American Ballet Theatre, and his own company, Danses Concertantes. From 2006 to 2007, he was choreographer-in-residence at the Baryshnikov Arts Center in New York.
Millepied has commissioned and collaborated with several contemporary composers including David Lang, Nico Muhly, Thierry Escaich and Philip Glass. The Jerome Robbins Trust and Foundation underwrites much of Millepied’s work and his circle of donors include philanthropists Anne Bass and Arlene Cooper.
In 2001, Millepied's dancing was motion captured for the animated children's film Barbie in the Nutcracker, along with several other New York City Ballet dancers. His dancing was again captured for the 2003 Barbie film Barbie of Swan Lake. In 2009 he served as choreographer for Black Swan, a psychological thriller directed by Darren Aronofsky which stars Natalie Portman and Mila Kunis as ballet dancers in New York City. In 2010, he was the leading man in a short film co-directed by Asa Mader and starring Léa Seydoux, called Time Doesn’t Stand Still.
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