Performance With Scroll Painting
The existence of patuya sangit (performances with scroll paintings) in ancient Bengal is confirmed by two sources: Yama-pattika as referred to in Harsa-charita (7th c AD) and scroll painting of the santals. Banabhatta (the court-poet of Harsavardhan) in his Harsa-charita briefly describes a popular performance of Yama-pattaka witnessed by Harsavardhan on his way back to the capital after he learnt of the death of his brother. It was given by a performer with the help of a scroll-painting showing Yama, the King of the Underworld. On the other hand, recent ethnographic studies have shown that the Santal people have among them a type of scroll painting representing the origin of life (Ko Reyak Katha) and the passage of the dead from the mortal world to the life beyond (Chaksudan Pat). These too point to the ancient origin of Patuya Gan performances in Bengal. In the medieval period, scroll painting performances eulogising Ramachandra, Krishna, Manasa, Chandi were extremely popular. By the 18th century, scroll-painting performances gained popularity even among the Muslims, as evinced by Gazir Pat (scroll-painting performances eulogising Pir Gazi), which can still be seen in Bangladesh today.
Puppet theatre It is not known when puppet theatre was introduced in Bengal. The earliest extant literary evidence of the existence of the form in Bengal is a couplet in Yusuf-Zulekha (1391–1410). As signified there, these performances were given with the help of string puppets. It is possible that orally composed tales of gods and goddesses, such as those of Krishna, Rama, Manasa etc., were produced in these performances. Mukunda Chakravarti's Chandimangala (1555–56) and Krishnadas kaviraj's chaitanya charitamrita (c 1560-80) definitely point to the existence of puppet theatre during this period. Judging by the popularity of cults and the existing tradition among current performers, it could be safely assumed that these were related to Krishna, Rama, Manasa, Chandi and Chaitanya. Interestingly, no Islamic narrative ever seems to have been performed by puppets in Bengal. String puppets still exist in Bangladesh today.
Read more about this topic: Bengali Theatre
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“This is the Scroll of Thoth. Herein are set down the magic words by which Isis raised Osiris from the dead. Oh! Amon-Ra—Oh! God of Gods—Death is but the doorway to new life—We live today-we shall live again—In many forms shall we return-Oh, mighty one.”
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