Ben Maltz Gallery

The Ben Maltz Gallery at Otis College of Art and Design in Los Angeles is a professional art space that presents group and solo exhibitions in a variety of media. The Gallery’s main focus is showcasing contemporary art that pushes the boundaries of form and subject matter in the context of national and international programming. Serving the local art community, the public, and Otis students and faculty, the Maltz Gallery presents emerging and established Los Angeles talent as well as international artists.

Originally named the Otis Gallery, the exhibition space was initially sited on the College’s downtown grounds. In August 2001, the Gallery moved to Otis’ Westchester campus and was dedicated in honor of Benjamin N. Maltz (1901–1993), a local businessman and founding director of City National Bank, who was a supporter of many nonprofit art organizations. Designed by the Los Angeles-based Frederick Fisher and Partners, the 3,500 sq ft (330 m2) Gallery is located on the ground floor of the Bronya and Andy Galef Center for Fine Arts, which also houses the Bolsky Gallery for student exhibitions, numerous art studios, critique rooms, and offices.

Since September 2003, the Ben Maltz Gallery has been directed by Meg Linton. Linton was previously the Executive Director of the Santa Barbara Contemporary Arts Forum and has held many curatorial and teaching positions in California and New York. Linton succeeded former Director Anne Ayres, the respected Los Angeles art historian and curator who managed the Gallery from 1988 to 2003 after taking the reins from Otis’ former School Director, Al Nodel.

Considered one of America’s renowned nonprofit galleries, the Ben Maltz Gallery was the recipient of the "Best Exhibition in an Alternative Space Award" by the International Critics Association for Karen Carson’s 1996 "The Language of Space" exhibition.

Read more about Ben Maltz Gallery:  Public Programs

Famous quotes containing the words ben and/or gallery:

    And showed the names whom love of God had blessed,
    And, lo! Ben Adhem’s name led all the rest!
    Leigh Hunt (1784–1859)

    I should like to have seen a gallery of coronation beauties, at Westminster Abbey, confronted for a moment by this band of Island girls; their stiffness, formality, and affectation contrasted with the artless vivacity and unconcealed natural graces of these savage maidens. It would be the Venus de’ Medici placed beside a milliner’s doll.
    Herman Melville (1819–1891)