Belle Vue Zoological Gardens - Circus

Circus

The first Belle Vue Circus took place in 1922, but it was not considered a success. The next was staged in 1929, after the company negotiated a deal with the Blackpool Tower Company to provide acts and equipment for what subsequently became a regular Christmas event held in the Kings Hall. One of the first arrivals from Blackpool was ringmaster George Lockhart, known as "the prince of ringmasters". Lockhart became synonymous with the Belle Vue Circus, and his face was used on many advertising posters. Zoo superintendent Gerald Iles included some of the zoo's animals in the circus, in a feature called Noah's Ark.

For the 1967–68 season, to celebrate his 39th consecutive year, the circus was temporarily renamed the "George Lockhart Celebration Circus". Lockhart was the ringmaster for 43 years, until his retirement in 1970 at the age of 90. His replacement, Danish-born Nelly Jane, held the job for two years before being replaced by Norman Barrett, the last ringmaster. Another of the circus stalwarts was resident band leader and Belle Vue's musical director Fred Bonelli, who started his career as a trumpet player for Barnum and Bailey's circus band, and led various Belle Vue circus bands for 40 years.

Many of the acts featured animals, such as Eugene Weidmann's mixed group of tigers and bears, Thorson Kohrmann and his Farmyard Friends, Willi Mullen's Caucasian Cavalry & Ponies, Miss Wendy's Performing Pigeons and Harry Belli's Horse Riding Tiger – to say nothing of the Dog! As well as the animal acts there was the usual collection of acrobats, strongmen and clowns, two of whom, Jacko the Clown and his partner "Little Billy" Merchant, performed at Belle Vue for thirty years.

The last circus to take place in the Kings Hall before its sale was in 1981. For a few years afterwards the circus continued in the car park, then in a marquee on wasteland directly opposite the gardens' main gates on Hyde Road.

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Famous quotes containing the word circus:

    It beats sitting around with my butt in a sling.
    Antoinette Cancello, U.S. circus aerialist. As quoted in WomenSports magazine, p. 35 (January 1976)

    The way to go to the circus, however, is with someone who has seen perhaps one theatrical performance before in his life and that in the High School hall.... The scales of sophistication are struck from your eyes and you see in the circus a gathering of men and women who are able to do things as a matter of course which you couldn’t do if your life depended on it.
    Robert Benchley (1889–1945)

    Democracy is the art and science of running the circus from the monkey-cage.
    —H.L. (Henry Lewis)