Reception
Bella has received generally negative reception from critics. Publishers Weekly states that, after her transformation into a vampire, "it's almost impossible to identify with her" in Breaking Dawn. Lilah Lohr of the Chicago Tribune compares Bella's character to the story of the Quileute wolves and describes it as "less satisfying." During Twilight, Kirkus Reviews stated that "Bella's appeal is based on magic rather than character", but that her and Edward's "portrayal of dangerous lovers hits the spot". In the review of New Moon, Kirkus Reviews said that Bella's personality was "flat and obsessive". Laura Miller of salon.com said, in regards to Edward and Bella, "neither of them has much personality to speak of." Entertainment Weekly's Jennifer Reese, in her review of Breaking Dawn noted, in regard to Bella, "You may wish she had loftier goals and a mind of her own, but these are fairy tales, and as a steadfast lover in the Disney princess mold, Bella has a certain saccharine appeal", and that during Bella's pregnancy "she is not only hard to identify with but positively horrifying, especially while guzzling human blood to nourish the infant." Washington Post journalist Elizabeth Hand noted how Bella was often described as breakable and that "Edward's habit of constantly pulling her onto his lap or having her ride on his back further emphasize her childlike qualities", continuing to write that "the overall effect is a weird infantilization that has repellent overtones to an adult reader and hardly seems like an admirable model to foist upon our daughters (or sons)." Gina Dalfonzo, in an article posted on the National Review website, calls Bella "self-deprecating" before her transformation into a vampire, and afterwards she is "insufferably vain". Dalfonzo also states that Bella gets what she wants and discovers her worth "by giving up her identity and throwing away nearly everything in life that matters."
Read more about this topic: Bella Swan
Famous quotes containing the word reception:
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, I hear you spoke here tonight. Oh, it was nothing, I replied modestly. Yes, the little old lady nodded, thats what I heard.”
—Gerald R. Ford (b. 1913)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (18581915)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)