Beijing Bicycle - Interpretation

Interpretation

According to Elizabeth Wright of Senses of Cinema, the juxtaposition of Guei and Jian, in particular their contrasting relation to the bicycle, highlights their differences in social standing and status. Guei is a new migrant who has come to the city with hopes for better income. On the other hand, Jian comes from an upwardly motivated city family concerned with providing the children with good education. The bicycle grants Jian status among his peers and impresses Xiao, the girl he fancies. To Guei, the bicycle, besides being a tool of the trade, is also a symbol of status and pride. It symbolises his participation and success in the city and makes him less of an outsider. Director Wang Xiaoshuai depicts both the new face of Beijing's youth through Jian and alludes to the disillusion of migrants from the country through Guei.

In a secondary plot, Guei and Mantis spend their free time observing Qin, a young attractive girl living in a large house and owning a large number of clothes. They believe Qin is a rich city girl but notice that she does not seem happy or content with her material possession. Later, they find out that Qin is in fact a housemaid, also from the country, who likes to dress herself in her employer's clothes when she is home alone. According to Wright, Guei and Mantis's misconception of the Qin's social status is "an obvious indictment on the beguiling nature of surface images and material possessions".