Plot
The play is one of several works of English Renaissance drama that present a lighthearted, romanticized, Robin-Hood-like view of the world of beggars, thieves, and gypsies; in this respect it can be classed with plays of its own era like The Spanish Gypsy, Massinger's The Guardian, Suckling's The Goblins, and Brome's A Jovial Crew, as well as a group of earlier works, like the Robin Hood plays of Anthony Munday.
Although the timeframe is inconsistent, Beggars' Bush is set seven years after a fictional war between Flanders and Brabant. The victorious Flemish general Woolfort has usurped the throne of Flanders. The rightful royal family, including Gerrard and his daughter Jaculin, have fled, their current whereabouts unknown. Gerrard has adopted a masquerade as Claus, who is elected king of the beggars. Other characters also maintain disguises and have hidden identities, including the missing daughter of the Duke of Brabant. The play's plot shows the working-out of these complexities and the restoration of the rightful rulers; true lovers are also re-united. Yet the play also contains serious aspects that have caused it to be classified as a tragicomedy by some commentators; "Through mixed modes Beggars Bush exhibits serious sociopolitical concerns to earn a classification that at first seems incongruous — a political tragicomedy."
(The character of Clause, the King of the Beggars, also appears as a character in later works, such as the memoirs of Bampfylde Moore Carew, the self-proclaimed King of the Beggars.)
Read more about this topic: Beggars' Bush
Famous quotes containing the word plot:
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)
“Trade and the streets ensnare us,
Our bodies are weak and worn;
We plot and corrupt each other,
And we despoil the unborn.”
—Ralph Waldo Emerson (1803–1882)
“The westward march has stopped, upon the final plains of the Pacific; and now the plot thickens ... with the change, the pause, the settlement, our people draw into closer groups, stand face to face, to know each other and be known.”
—Woodrow Wilson (1856–1924)