Composition
"Beep" is a pop song which was written by William Adams, Kara DioGuardi, Jeff Lynne in the key of G minor. The instrumental string hook is a sample of ELO's "Evil Woman" (1975). Critics noted that the song was similar to Black Eyed Peas' "My Humps" (2005) whom both were produced and written by will.i.am. The stacatto Destiny's Child-like verse is made up of naughty lyrical bits which are clipped by a bleep censor. According to Bill Lamb the song "combines danceable hip hop pop with a light, clever sense of humor." IGN's Spence D. noted that "the song is a mixed bag, tossing together slick strings for that orchestrated pop vibe, then mixing that up with a loping, though downplayed, funk groove. It's like two songs in one, though one of the songs feels like a throwback to '80s sterile pop." According to the sheet music published at Musicnotes.com by Sony/ATV Music Publishing, the "girl-empowerment song" has a time signature set in common time, with a tempo of 104 beats per minute. The melody is mainly composed with piano and guitar instruments and uses stomping, custom-made beat.
Read more about this topic: Beep (song)
Famous quotes containing the word composition:
“There is singularly nothing that makes a difference a difference in beginning and in the middle and in ending except that each generation has something different at which they are all looking. By this I mean so simply that anybody knows it that composition is the difference which makes each and all of them then different from other generations and this is what makes everything different otherwise they are all alike and everybody knows it because everybody says it.”
—Gertrude Stein (1874–1946)
“There was not a grain of poetry in the whole composition of Lord Fawn, and poetry was what her very soul craved;Mpoetry, together with houses, champagne, jewels, and admiration.”
—Anthony Trollope (1815–1882)
“Since body and soul are radically different from one another and belong to different worlds, the destruction of the body cannot mean the destruction of the soul, any more than a musical composition can be destroyed when the instrument is destroyed.”
—Oscar Cullman. Immortality of the Soul or Resurrection of the Dead? The Witness of the New Testament, ch. 1, Epworth Press (1958)