Composition
The song is roughly divided into three parts; The first part features two lead guitars playing separate melodies over a bolero rhythm modelled after Ravel's: the first a rock lead in a moderately overdriven tone, the other playing a slide piece in a cleaner tone resembling a steel guitar. A simultaneous drum break and vocal scream is heard roughly halfway through the recording (courtesy of Moon, who knocked over his recording mic in the process, resulting in his crash cymbal being heard over the other percussion for the rest of the piece), after which the band begins playing a powerful blues-rock section. The first fuzzbox-distorted lead guitar eventually emerges with the bolero rhythm, this time played with percussive flourishes. Shortly thereafter, another lead guitar emerges, playing its own melody. The song then comes to an abrupt end.
Read more about this topic: Beck's Bolero
Famous quotes containing the word composition:
“If I don’t write to empty my mind, I go mad. As to that regular, uninterrupted love of writing ... I do not understand it. I feel it as a torture, which I must get rid of, but never as a pleasure. On the contrary, I think composition a great pain.”
—George Gordon Noel Byron (1788–1824)
“It is my PRIDE, my damn’d, native, unconquerable Pride, that plunges me into Distraction. You must know that 19-20th of my Composition is Pride. I must either live a Slave, a Servant; to have no Will of my own, no Sentiments of my own which I may freely declare as such;Mor DIE—perplexing alternative!”
—Thomas Chatterton (1752–1770)
“Since body and soul are radically different from one another and belong to different worlds, the destruction of the body cannot mean the destruction of the soul, any more than a musical composition can be destroyed when the instrument is destroyed.”
—Oscar Cullman. Immortality of the Soul or Resurrection of the Dead? The Witness of the New Testament, ch. 1, Epworth Press (1958)