Bebop - Musicians

Musicians

Notable musicians identified with bebop:

  • Cannonball Adderley, alto sax
  • Chet Baker, trumpet
  • Art Blakey, drums
  • Clifford Brown, trumpet
  • Ray Brown, bass
  • Kenny Burrell, guitar
  • Don Byas, tenor sax
  • Betty Carter, voice
  • Paul Chambers, bass
  • Charlie Christian, guitar
  • Kenny Clarke, drums
  • Jimmy Cobb, drums
  • John Coltrane, tenor sax
  • Tadd Dameron, piano
  • Miles Davis, trumpet
  • Walter Davis, Jr., piano
  • Buddy DeFranco, clarinet
  • Kenny Dorham, trumpet
  • Billy Eckstine, singer & bandleader
  • Herb Ellis, guitar
  • Bill Evans, piano
  • Ella Fitzgerald, voice
  • Roy Haynes, drums
  • Barney Kessel, guitar
  • Carl Fontana, trombone
  • Curtis Fuller, trombone
  • Dizzy Gillespie, trumpet
  • Dexter Gordon, tenor sax
  • Wardell Gray, saxophone
  • Al Haig, piano
  • Sadik Hakim, piano
  • Barry Harris, piano
  • Percy Heath, bass
  • Milt Hinton, bass
  • Milt Jackson, vibes
  • J. J. Johnson, trombone
  • Philly Joe Jones, drums
  • Duke Jordan, piano
  • Lee Konitz, alto sax
  • Stan Levey, drums
  • Lou Levy, piano
  • John Lewis, piano
  • Dodo Marmarosa, piano
  • Frank Marocco, accordion
  • Pat Martino, guitar
  • Howard McGhee, trumpet
  • Charles McPherson, alto sax
  • Charles Mingus, bass and piano
  • Blue Mitchell, trumpet
  • Thelonious Monk, piano
  • Wes Montgomery, guitar
  • Fats Navarro, trumpet
  • Charlie Parker, alto and tenor sax
  • Art Pepper, alto sax
  • Joe Pass, guitar
  • Oscar Pettiford, bass
  • Tommy Potter, bass
  • Bud Powell, piano
  • Jimmy Raney, guitar
  • Max Roach, drums
  • Red Rodney, trumpet
  • Sonny Rollins, tenor sax
  • Frank Rosolino, trombone
  • Horace Silver, piano
  • Ronnie Singer, guitar
  • Sonny Stitt, tenor and alto sax
  • Lucky Thompson, tenor sax
  • Lennie Tristano, piano
  • Sarah Vaughan, voice
  • George Wallington, piano
  • Chuck Wayne, guitar
  • Mort Weiss, clarinet
  • Shadow Wilson, drums
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Famous quotes containing the word musicians:

    Music is of two kinds: one petty, poor, second-rate, never varying, its base the hundred or so phrasings which all musicians understand, a babbling which is more or less pleasant, the life that most composers live.
    HonorĂ© De Balzac (1799–1850)

    How are we to know that a Dracula is a key-pounding pianist who lifts his hands up to his face, or that a bass fiddle is the doghouse, or that shmaltz musicians are four-button suit guys and long underwear boys?
    In New York City, U.S. public relief program (1935-1943)

    We stand in the tumult of a festival.
    What festival? This loud, disordered mooch?
    These hospitaliers? These brute-like guests?
    These musicians dubbing at a tragedy,
    A-dub, a-dub, which is made up of this:
    That there are no lines to speak? There is no play.
    Wallace Stevens (1879–1955)