Dada and The Avant-garde
During this time period, Wood was introduced to Marcel Duchamp, who in turn introduced her to her first great love interest, Henri-Pierre Roché, a man fourteen years her senior. She worked with Duchamp and Roché in the 1910s to create The Blind Man, a magazine that was one of the earliest manifestations of the Dada art movement in New York City.
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Famous quotes containing the words dada, avant-garde:
“Dada hurts. Dada does not jest, for the reason that it was experienced by revolutionary men and not by philistines who demand that art be a decoration for the mendacity of their own emotions.... I am firmly convinced that all art will become dadaistic in the course of time, because from Dada proceeds the perpetual urge for its renovation.”
—Richard Huelsenbeck (1892–1974)
“An avant-garde man is like an enemy inside a city he is bent on destroying, against which he rebels; for like any system of government, an established form of expression is also a form of oppression. The avant-garde man is the opponent of an existing system.”
—Eugène Ionesco (b. 1912)