The BBC Young Musician of the Year is a televised national music competition. It is broadcast on BBC Two and BBC Four biennially, despite the name, and hosted by the British Broadcasting Corporation (BBC). The competition, a member of European Union of Music Competitions for Youth, is designed for British percussion, keyboard, string, brass and woodwind players, all of whom must be eighteen years of age or under on 1 January in the relevant year.
The competition was established in 1978 by Humphrey Burton and Walter Todds, both of whom are former members of the BBC Television Music Department. Michael Hext, a trombonist, was the inaugural winner. In 1994, the usage of percussion instruments was first permitted, alongside the existing keyboard, string, brass and woodwind categories. Since its introduction, the allowance of percussion instruments has increased interest in the competition among young people. The competition has five stages, which consist of regional auditions, category auditions, category finals, semi-finals and the final. As a result of the success of the competition, the Eurovision Young Musicians competition was initiated in 1982. To date, there have been 18 winners, the most recent being Laura van der Heijden. At the age of 12, Peter Moore attained the title for the youngest winner of the competition.
Read more about BBC Young Musician Of The Year: Winners, Past Finalists, Footnotes
Famous quotes containing the words bbc, young, musician and/or year:
“To err is human, but to really foul things up requires a computer.”
—Anonymous. quoted in Quote Unquote, Feb. 22, 1982, BBC Radio 4.
“There was a young man of Japan
Whose limericks never would scan.
When folks told him so,
He replied, Yes, I know,
But I always try to get as many words into the last line as I possibly can.”
—Anonymous.
“The mastery of ones phonemes may be compared to the violinists mastery of fingering. The violin string lends itself to a continuous gradation of tones, but the musician learns the discrete intervals at which to stop the string in order to play the conventional notes. We sound our phonemes like poor violinists, approximating each time to a fancied norm, and we receive our neighbors renderings indulgently, mentally rectifying the more glaring inaccuracies.”
—W.V. Quine (b. 1908)
“Listen, thats the one that done it. The dusters. They started it anyways. Blowin like this year after year. Blowin the land away. Blowin the crops away. Blowin us away now.”
—Nunnally Johnson (18971977)