The Hugh L. Carey Battery Park City Authority is a Class A New York State public benefit corporation. Its mission is "to plan, create, co-ordinate and maintain a balanced community of commercial, residential, retail, and park space within its designated 92-acre site on the lower west side of Manhattan" in New York City. The site is now known as Battery Park City.
The BPCA was created in 1968 (L. 1968, ch. 343) to redevelop outmoded and deteriorated piers, a project that has involved reclaiming the land, replanning the area and facilitating new construction of a mixed commercial and residential community. The authority's board is composed of seven uncompensated members who are appointed by the governor and who serve six-year terms. N.Y. Pub. Auth. sec. 1973. The BPCA is invested with substantial powers: it can acquire, hold and dispose of real property, enter into lease agreements, borrow money and issue debt, and manage the project. N.Y. Pub. Auth. sec. 1974. Like other public benefit corporations, the BPCA is exempt from property taxes and has the ability to issue tax exempt bonds. N.Y. Pub. Auth. sec. 1981.
Famous quotes containing the words park, city and/or authority:
“Borrow a child and get on welfare.
Borrow a child and stay in the house all day with the child,
or go to the public park with the child, and take the child
to the welfare office and cry and say your man left you and
be humble and wear your dress and your smile, and don’t talk
back ...”
—Susan Griffin (b. 1943)
“How soon country people forget. When they fall in love with a city it is forever, and it is like forever. As though there never was a time when they didn’t love it. The minute they arrive at the train station or get off the ferry and glimpse the wide streets and the wasteful lamps lighting them, they know they are born for it. There, in a city, they are not so much new as themselves: their stronger, riskier selves.”
—Toni Morrison (b. 1931)
“... each of them is inhabited by a bland demon, as the German metaphysicians used to call that which gets into a man and makes him creative, not so forcibly that it turns them away from criticism, but valid enough to give them the right to speak with the authority of artists.”
—Rebecca West (1892–1983)