Themes
When discussing the central theme of Batman, director Tim Burton explained, "the whole film and mythology of the character is a complete duel of the freaks. It's a fight between two disturbed people", adding that "The Joker is such a great character because there's a complete freedom to him. Any character who operates on the outside of society and is deemed a freak and an outcast then has the freedom to do what they want... They are the darker sides of freedom. Insanity is in some scary way the most freedom you can have, because you're not bound by the laws of society".
Burton saw Bruce Wayne as the bearer of a double identity, exposing one while hiding the reality from the world. Burton biographer Ken Hanke wrote that Bruce Wayne, struggling with his alter-ego as Batman, is depicted as an antihero. Hanke felt that Batman has to push the boundaries of civil justice to deal with certain criminals, such as the Joker. Kim Newman theorized that "Burton and the writers saw Batman and the Joker as a dramatic antithesis, and the film deals with their intertwined origins and fates to an even greater extent".
A visual motif is present in the scene of Batman's first major act of vigilantism at Axis Chemicals, wherein he is carefully framed so that the single word AXIS, in gigantic red neon letters, looms over him, comparing his acts to those of the totalitarian governments of World War II and thus implying that the dangers of these actions include the transformation of Jack Napier into the Joker. Batman also conveys trademarks found in 1930s pulp magazines, notably the design of Gotham City stylized with Art Deco design. Richard Corliss, writing for Time, observed that Gotham's design was a reference to films such as Metropolis (1927) and The Cabinet of Dr. Caligari (1920). "Gotham City, despite being shot on a studio backlot", he continued, "is literally another character in the script. It has the demeaning presence of German Expressionism and fascist architecture, staring down at the citizens." Hanke further addressed the notions of Batman being a period piece, in that "The citizens, cops, people and the black-and-white television looks like it takes place in 1939"; but later said: "Had the filmmakers made Vicki Vale a femme fatale rather than a damsel in distress, this could have made Batman as a homage and tribute to classic film noir." Portions of the climax pay homage to Vertigo.
Read more about this topic: Batman (1989 film)
Famous quotes containing the word themes:
“In economics, we borrowed from the Bourbons; in foreign policy, we drew on themes fashioned by the nomad warriors of the Eurasian steppes. In spiritual matters, we emulated the braying intolerance of our archenemies, the Shi’ite fundamentalists.”
—Barbara Ehrenreich (b. 1941)
“I suppose you think that persons who are as old as your father and myself are always thinking about very grave things, but I know that we are meditating the same old themes that we did when we were ten years old, only we go more gravely about it.”
—Henry David Thoreau (1817–1862)