Bat Out of Hell II: Back Into Hell - History

History

In the midst of the success of Bat Out of Hell, desperate for a follow-up, management and the record company put pressure on Steinman to stop touring in order to write a follow-up, provisionally titled Renegade Angel. In a 1981 BBC Rock Hour Special interview, Steinman recalls the writing process.

I started writing what I felt was Bat Out Of Hell part 2, definitely like The Godfather part I and part 2, that's how I saw it. I wanted to do a continuation and I wanted to do an album that went even further and that was more extreme, if possible, which a lot of people felt wasn't possible but I just wanted to see if I could make a record that was even more heroic because that's what I thought of it ... Bat Out of Hell to me was ultimately very heroic though it was funny ... and I wanted to do one that to me would be even more heroic and more epic and a little more operatic and passionate.

In a 1993 promotional interview for the album, Steinman reasserts the continuation of the Bat world. "I didn't call it Bat Out of Hell II just to identify with the first record. It really does feel like an extension of that... It was a chance to go back to that world and explore it deeper. It always seemed incomplete because I conceived it like a film, and what would you do without Die Hard 2?" Meat Loaf himself was more succinct. He told an interview at the time, "We called it Bat Out Of Hell II 'cos that would help it sell shitloads."

Steinman rejoined Meat Loaf and the band for a live performance in Toronto, Canada in 1978 with the intention of going through the songs for Bat II after the show. However, someone broke into their dressing rooms during the show and stole several possessions, including the new lyric book. Then, Meat Loaf lost his voice and was unable to record Renegade Angel. Steinman says "he sounded literally like the little girl in The Exorcist... like a dragon trying to sing—it was a horrifying sound." Steinman "kept writing the music to Bat Out of Hell part 2... my sequel." Not being able to "bear for people not to hear those songs," Steinman recorded the album, retitled Bad for Good, as a solo project, although Rory Dodd contributed lead vocals on some songs. Four songs from Bad for Good were included on Bat Out of Hell II. In 1989, Steinman formed all-female vocal group Pandora's Box. The album, Original Sin, was a commercial flop, but featured two songs which would also appear on Bat II. Meat Loaf says "Jim put "It Just Won't Quit" on Original Sin without telling me. I could have strangled him."

By the time Meat Loaf set about finally recording Bat II in the early 90s, the industry's enthusiasm for the project had waned. According to the artist's then manager, Tommy Manzi, in an interview with HitQuarters, "That project was considered a joke as far as the industry was concerned," and Manzi's management company Left Bank were "laughed at" for attempting to revive the fortunes of a well-established act rather than focus on "the next hip band".

Read more about this topic:  Bat Out Of Hell II: Back Into Hell

Famous quotes containing the word history:

    Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernism’s high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.
    Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)

    Considered in its entirety, psychoanalysis won’t do. It’s an end product, moreover, like a dinosaur or a zeppelin; no better theory can ever be erected on its ruins, which will remain for ever one of the saddest and strangest of all landmarks in the history of twentieth-century thought.
    Peter B. Medawar (1915–1987)

    ... in a history of spiritual rupture, a social compact built on fantasy and collective secrets, poetry becomes more necessary than ever: it keeps the underground aquifers flowing; it is the liquid voice that can wear through stone.
    Adrienne Rich (b. 1929)