History
The first horses arrived in South Africa in 1653, when four horses were introduced to the Cape area by the Dutch East India Trading Company. The exact breed of these horses is unknown, but they may have been Arabian, Persian or similar to the Java Pony. They were upgraded later with Arabian and Persian blood.
These original imported horses became the founders of the Cape Horse, which became extremely popular and especially gained an admirable reputation during the Boer Wars. The Cape Horse and the Basuto probably were originally the same horse; with continual infusions of Thoroughbred and Arabian blood the Cape Horse became a larger, better-quality animal, and the Basuto remained smaller and stockier.
Lesotho (formerly known as Basutoland) acquired Cape Horses as spoils of war between the Zulus and the settlers. As a result of harsh conditions and interbreeding with local ponies, the Cape Horse lost much of its height and nobility, and the Basuto pony largely replaced it.
Due to the rocky and hilly terrain the Basuto ponies were continually ridden over (often at great speeds), they developed into tough, surefooted animals with great stamina and courage. These qualities, however, were nearly the undoing of the breed. The Basuto became so popular that thousands were exported, and many of the best horses were killed in action during the Boer War at the end of the 19th century. There is now a concerted effort to re-establish the Basuto breed.
Read more about this topic: Basuto Pony
Famous quotes containing the word history:
“The greatest honor history can bestow is that of peacemaker.”
—Richard M. Nixon (1913–1995)
“Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernism’s high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.”
—Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)
“I believe that in the history of art and of thought there has always been at every living moment of culture a “will to renewal.” This is not the prerogative of the last decade only. All history is nothing but a succession of “crises”Mof rupture, repudiation and resistance.... When there is no “crisis,” there is stagnation, petrification and death. All thought, all art is aggressive.”
—Eugène Ionesco (b. 1912)