Baseball Color Line
The color line in American baseball excluded players of black African descent from Major League Baseball and affiliated minor leagues, until Jackie Robinson signed with the Brooklyn Dodgers organization for the 1946 season and in 1947, both Robinson in the National League and Larry Doby with the American League's Cleveland Indians appeared in games for the first time in MLB history. Racial segregation in professional baseball is sometimes called a gentlemen's agreement, meaning a tacit understanding, because there was no written policy at the highest level of baseball organization. Some leagues did rule against member clubs signing black players, however, as the color line was drawn during the 1880s and 1890s.
On the "other side" of the color line, many black baseball clubs were established and especially during the 1920s to 1940s there were several "Negro" or "Colored" Leagues in operation, which primarily featured those players barred from organized baseball. Some light-skinned Hispanic players, some Native Americans, and native Hawaiians played white baseball during that period.
Read more about Baseball Color Line: Origins, Sub Rosa Efforts At Integration, The Negro Leagues, Kenesaw Mountain Landis, Bill Veeck and Branch Rickey, Jackie Robinson and Larry Doby, Boston Red Sox, Professional Baseball Firsts
Famous quotes containing the words baseball, color and/or line:
“Ethnic life in the United States has become a sort of contest like baseball in which the blacks are always the Chicago Cubs.”
—Ishmael Reed (b. 1938)
“The intellect,—that is miraculous! Who has it, has the talisman: his skin and bones, though they were of the color of night, are transparent, and the everlasting stars shine through, with attractive beams.”
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“What is line? It is life. A line must live at each point along its course in such a way that the artist’s presence makes itself felt above that of the model.... With the writer, line takes precedence over form and content. It runs through the words he assembles. It strikes a continuous note unperceived by ear or eye. It is, in a way, the soul’s style, and if the line ceases to have a life of its own, if it only describes an arabesque, the soul is missing and the writing dies.”
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