Production
The episode was written by John Swartzwelder, and directed by Jim Reardon. The Simpsons' creator Matt Groening thought it was a "quintessential" Swartzwelder episode, and executive producer/show runner David Mirkin said it was a "fantastic job by one of the most prolific writers of the show". The most important thing to Mirkin while making the episode was to make sure that the elephant would be a "bastard" and behave rudely, unlike other animals on the show. For example, instead of putting people on his back, Stampy would put them in his mouth. Mirkin said the elephant "never quite bonds because it's a very cantankerous animal, a concept that was very important to this episode". Stampy has since been used several times in jokes later on in the series. For example, Stampy made an appearance in the season nine episode "Miracle on Evergreen Terrace" in one of Bart's dreams, and in the season fourteen episode "Large Marge", where he is used by Bart in a stunt to help Krusty the Clown win back his popularity. Stampy appeared briefly in The Simpsons Movie, where he tries to break down the giant glass dome lowered over Springfield. The episode also introduces the character Cletus Spuckler. He is shown as one of the "slack-jawed yokels" gawking at Stampy in the Simpson family's backyard. Cletus is not named in the episode, so the staff simply referred to him as the Slack-Jawed Yokel.
Read more about this topic: Bart Gets An Elephant
Famous quotes containing the word production:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“The development of civilization and industry in general has always shown itself so active in the destruction of forests that everything that has been done for their conservation and production is completely insignificant in comparison.”
—Karl Marx (1818–1883)
“I really know nothing more criminal, more mean, and more ridiculous than lying. It is the production either of malice, cowardice, or vanity; and generally misses of its aim in every one of these views; for lies are always detected, sooner or later.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)