Production
The carnival in this episode is based on the The Eastern States Exposition (currently known as The Big E) fair. As a child, Mike Scully went to the fair, and had hoped one day to be a carny. He thought carnies were the coolest people. This is the only episode that Mark Kirkland did not tell his parents to watch. This is due to Bart's line "Out of my way, I'm Hitler". Kirkland's stepfather was a lieutenant in World War II and was injured while in combat. Cooder was modeled after David Mirkin, the showrunner of seasons five and six and co-writer and the executive producer of two episodes in the ninth season. Spud's head shape is modeled after Bart's head. The "fisheye effect", when Cooder is looking through the peep hole was drawn by hand, not optically by assistant director Matthew Nastuk. Matt Groening said they had several endings worked out, including one where Homer made the hula hoop over the chimney.
Read more about this topic: Bart Carny
Famous quotes containing the word production:
“... this dream that men shall cease to waste strength in competition and shall come to pool their powers of production is coming to pass all over the earth.”
—Jane Addams (1860–1935)
“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
—Karl Marx (1818–1883)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)