The German Pavilion and Its Reception
An enormous responsibility rested on van der Rohe's shoulders to produce a very special building which would unmistakably announce the resuscitation of cultured Germany's prowess, and adequately showcase their creative achievements and commercial viability. The renowned sculptor George Kolbe's work was shown to great advantage in addition to the Barcelona Chair, Couch, and Table.
By transposing an ancient and regal design into a modern setting, the designers enjoyed instant acclaim. The chair was shown off perfectly in the environment of the Pavilion. Royal visitors, it is said, did not actually take advantage of this newly designed seating accommodation, but the chair quickly attained the reputation of being "a design worthy of kings".
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Famous quotes containing the words the german, german and/or reception:
“The Germans are always too late. They are late, like music, which is always the last of the arts to express a world condition,—when that world condition is already in its final stages. They are abstract and mystical.”
—Thomas Mann (1875–1955)
“The Germans—once they were called the nation of thinkers: do they still think at all? Nowadays the Germans are bored with intellect, the Germans distrust intellect, politics devours all seriousness for really intellectual things—Deutschland, Deutschland Über alles was, I fear, the end of German philosophy.”
—Friedrich Nietzsche (1844–1900)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)