Life and Career
Schroeder was born in Tehran, Iran, the son of Ursula, a German-born physician, and Jean-William Schroeder, a Swiss geologist.
Schroeder's production company "Les Films du Losange", founded by him at age 23, produced some of the best-known films of the French New Wave. His directorial debut, More (1969), about heroin addiction, became a hit in Europe. Pink Floyd wrote music for this movie and released the album, Soundtrack from the Film More. They also wrote the soundtrack for his 1972 film La Vallée, released as the album Obscured by Clouds.
He later went on to direct more mainstream Hollywood fare, such as Barfly (1987) starring Mickey Rourke, Single White Female (1992), and Reversal of Fortune (1990), for which Jeremy Irons as Claus von Bülow received an Academy Award. Despite his many commercially successful films, Schroeder continues to be interested in making smaller films with a more limited audience, such as the adaptation of Colombian writer Fernando Vallejo's controversial novel La virgen de los sicarios (2000) or the documentary General Idi Amin Dada: A Self Portrait (1974), featuring extensive interviews with the Ugandan dictator and Terror's advocate (2007) about terrorism in the last 50 years seen through the eyes of a lawyer, Jacques Vergès, and his clients.
Schroeder has also made some appearances as an actor: playing one of the 'ghosts' in Jacques Rivette's Céline et Julie vont en bateau (Céline and Julie Go Boating), a cameo as a Porsche driver in Beverly Hills Cop III (1994), as the President of France in Mars Attacks! (1996), as a hair products salesman in Paris, je t'aime (2006), and as the mechanic in The Darjeeling Limited (2007).
Read more about this topic: Barbet Schroeder
Famous quotes containing the words life and, life and/or career:
“Life and Death are fated; riches and honor lie with Heaven.”
—Chinese proverb.
Confucian Analects.
“One can think of life after the fish is in the canoe.”
—Hawaiian saying no. 23, ‘lelo No’Eau, collected, translated, and annotated by Mary Kawena Pukui, Bishop Museum Press, Hawaii (1983)
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)