Further Reading
- 'The Design Work of Edward Barber and Jay Osgerby', by Edward Barber & Jay Osgerby (2011: Rizzoli)
- 'Ascent: Edward Barber & Jay Osgerby', by Thomas Phongsathorn (2011: Haunch of Venison)
- 'Interview: Edward Barber & Jay Osgerby', Disegno Daily (October 2012)
- 'Best In Class', by Henrietta Thompson, Wallpaper* (April 2011)
- 'The Tipping Point', by Felix Friedmann, Disegno No 1 (December 2011), pp. 71–81
- 'Anatomy Of: Olympic Torch', by Caitlin Tobiasz, Icon (September 2012)
- 'British Design In 2012', V&A Channel
- Dezeen archives: BarberOsgerby tags
- 'Beautiful Simplicity', by Laura Traldi, DAMn (April/May 2011), pp. 24–28
- 'Barber Osgerby', AXIS (April 2010) pp. 12–15
- Process (2008, Lawrence King)
- Phaidon Design Classics (2006, Phaidon)
- Schumacher, Rainald. "Interview with Jay Osgerby / BarberOsgerby / Design Miami/ Basel". http://vernissage.tv/blog/2006/07/13/interview-with-jay-osgerby-barberosgerby-design-miami-basel/.
Read more about this topic: Barber Osgerby
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“Nothing is so engaging as the little domestic cares into which you appear to be entering, and as to reading it is useful for only filling up the chinks of more useful and healthy occupations.”
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“When committees gather, each member is necessarily an actor, uncontrollably acting out the part of himself, reading the lines that identify him, asserting his identity.... We are designed, coded, it seems, to place the highest priority on being individuals, and we must do this first, at whatever cost, even if it means disability for the group.”
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