Barbara Windsor - Theatre

Theatre

Barbara Windsor has been active in the following theatre productions:

  • Cinderella - Golders Green Hippodrome, London (1950)
  • Love From Judy - Saville Theatre, London, followed by tour (1952–54)
  • Many Happy Returns - Watergate Theatre, London (1955)
  • Cabaret performances - Côte d'Azur, Soho, London (1955)
  • Red Riding Hood - Shakespeare Theatre, Liverpool (1955/56)
  • Singer with Ronnie Scott's band (1956)
  • Variety at Winston's nightclub, Mayfair, London (1957–58)
  • Keep Your Hair On - Apollo Theatre, London (1958)
  • The Gimmick - toured to Leeds and Wolverhampton (1958)
  • Fings Ain't Wot They Used T'Be - Theatre Royal, Stratford (1959/60), then Garrick Theatre, both London (1960–62)
  • Oh! What a Lovely War - Broadhurst Theatre, New York City (1964)
  • Twang! - try-out at Palace Theatre, Manchester, then Shaftesbury Theatre, London (1965)
  • Come Spy with Me - try-outs at Theatre Royal, Brighton, New Theatre, Oxford and Golders Green Hippodrome, then Whitehall Theatre, London (1966–67)
  • The Beggar's Opera - Connaught Theatre, Worthing (1967)
  • The Wind in the Sassafras Trees - Belgrade Theatre, Coventry, followed by tour (1968)
  • Sing A Rude Song - Greenwich Theatre, then Garrick Theatre, both London (1970)
  • Cinderella - Theatre Royal, Norwich (1970/71)
  • Cinderella - Royal Court Theatre, Liverpool (1971/72)
  • The Threepenny Opera - Prince of Wales Theatre, then Piccadilly Theatre, both London (1972)
  • The Owl and the Pussycat - toured to Bath, Richmond and Sheffield (1972)
  • Cinderella - Odeon Theatre, Golders Green, London (1972/73)
  • Carry On London! - try-out at Birmingham Hippodrome (1973), then Victoria Palace Theatre, London (1973–75)
  • Carry On Barbara! and A Merry Whiff of Windsor - tours of Australia, New Zealand, UK and South Africa (1975)
  • Aladdin - Richmond Theatre (1975/76)
  • Twelfth Night - Festival Theatre, Chichester (1976)
  • Aladdin - Alhambra Theatre, Bradford (1976/77)
  • Aladdin - Alexandra Theatre, Birmingham (1977/78)
  • Dick Whittington - Ashcroft Theatre, Croydon (1978/79)
  • Calamity Jane - British tour (1979)
  • Dick Whittington - Richmond Theatre (1979/80)
  • Jack and the Beanstalk - Theatre Royal, Newcastle upon Tyne (1980/81)
  • Entertaining Mr Sloane - Lyric Theatre, Hammersmith, London (1981)
  • The Mating Game - summer season at Grand Theatre, Blackpool (1981)
  • Aladdin - Theatre Royal, Nottingham (1981/82)
  • The Mating Game - British tour (1982)
  • Aladdin - New Theatre, Oxford (1982/83)
  • The Mating Game - summer season at Floral Hall, Scarborough (1983)
  • Aladdin - Festival Theatre, Chichester (1983/84)
  • The Mating Game - summer season at Jersey Opera House (1984)
  • Dick Whittington - Orchard Theatre, Dartford (1984/85)
  • What a Carry On in Butlins! (1985)
  • Aladdin - Theatre Royal, Nottingham (1985/86)
  • Dick Whittington - Beck Theatre, Hayes (1986/87)
  • Babes in the Wood - London Palladium (1987/88)
  • Guys and Dolls - British tour (1988)
  • Babes in the Wood - Churchill Theatre, Bromley (1988/89)
  • The Mating Game - summer season at Pier Theatre, Bournemouth (1989)
  • Cinderella - Gordon Craig Theatre, Stevenage (1989/90)
  • Cinderella - Wimbledon Theatre, London (1990/91)
  • Guys and Dolls - Theatre Royal, Plymouth, followed by tour (1991)
  • Aladdin - Derngate Theatre, Northampton (1991/92)
  • Wot a Carry On in Blackpool! - North Pier Theatre, Blackpool (1992)
  • Cinderella - Theatre Royal, Brighton (1992/93)
  • Entertaining Mr Sloane - Churchill Theatre, Bromley, followed by tour (1993–94)
  • Aladdin - Gordon Craig Theatre, Stevenage (1993/94)
  • Aladdin - The Anvil, Basingstoke (1994/95)
  • Cinderella - Orchard Theatre, Dartford (1995/96)
  • Dick Whittington - Bristol Hippodrome (2010/11)

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Famous quotes containing the word theatre:

    “Our instructed vagrancy, which has hardly time to linger by the hedgerows, but runs away early to the tropics, and is at home with palms and banyans—which is nourished on books of travel, and stretches the theatre of its imagination to the Zambesi.”
    —George Eliot [Mary Ann (or Marian)

    “To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air: the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.”
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    “Make them laugh, make them cry, and back to laughter. What do people go to the theatre for? An emotional exercise.... I am a servant of the people. I have never forgotten that.”
    —Mary Pickford (1893–1979)