Baltimore Painter - Source of Translation

Source of Translation

This article incorporates information from this version of the equivalent article on the German Wikipedia.

Pottery of ancient Greece

Wine vessel shapes	Dinos Kotyle Krater Kyathos Psykter Rhyton Skyphos

Tableware	Eye-cup Kantharos Kylix Oenochoe Olpe Patera Pinakion

Perfume, oil, and wedding shapes	Alabastron Aryballos Askos Lebes Gamikos Lekythos Loutrophoros Lydion Pyxis Stirrup jar

Funerary shapes and cultic shapes	Kernos Lekythos Loutrophoros Phiale

Storage shapes	Amphora Hydria Kalathos Kalpis Lebes Pelike Pithos Stamnos

Utilitarian ceramics	Chuta Epinetron Luchnos Situla

Techniques	Bilingual pottery Black-figure Bucchero Red-figure Six's technique Three-phase firing White-ground

Styles	Ancient Greek vase-painting styles

Potters and Painters	List of Greek potters List of Greek vase painters List of Little Masters Name vase

Museums noted for pottery	Athens Basel und Ludwig Berlin Bodrum British Edinburgh Getty Heraklion Louvre Thera Ure Vatican Walters

Writers and books	Adolf Furtwängler Corpus Vasorum Antiquorum Dietrich von Bothmer Edmond Pottier John Beazley John Boardman

Special topics in Greek pottery	Frying pans Kalos inscription Nikosthenic amphora Panathenaic Amphorae Symposium Typology

Persondata
Name	Baltimore Painter
Alternative names
Short description
Date of birth
Place of birth
Date of death
Place of death

Read more about this topic: Baltimore Painter

Famous quotes containing the words source of, source and/or translation:

“The practice of S/M is the creation of pleasure.... And that’s why S/M is really a subculture. It’s a process of invention. S/M is the use of a strategic relationship as a source of pleasure.”
—Michel Foucault (1926–1984)

“You have never by a word or a deed given me one moment’s uneasiness; on the contrary I have felt perpetual gratitude to heaven for having given me, in you, a source of so much pure and unmixed happiness.”
—Thomas Jefferson (1743–1826)

“To translate, one must have a style of his own, for otherwise the translation will have no rhythm or nuance, which come from the process of artistically thinking through and molding the sentences; they cannot be reconstituted by piecemeal imitation. The problem of translation is to retreat to a simpler tenor of one’s own style and creatively adjust this to one’s author.”
—Paul Goodman (1911–1972)