Music
Diaghilev secured the employment of many great music composers for his ballets. This served to distinguish his ballets from many 19th-century ballets, for which the music had usually been provided by less inspired composers such as Riccardo Drigo, Ludwig Minkus, and Cesare Pugni.
Diaghilev commissioned many original scores, and borrowed freely from the existing musical canon. His ballets included music by artists such as Debussy, Milhaud, Poulenc, Prokofiev, Ravel, Satie, Respighi, Stravinsky and Richard Strauss.
The impresario also engaged conductors who were, or became eminent in their field during the 20th century, including Pierre Monteux (1911-16 and 1924), Ernest Ansermet (1915-23), Edward Clark (1919-20) and Roger Désormière (1925-29).
Read more about this topic: Ballets Russes Dancers
Famous quotes containing the word music:
“If music in general is an imitation of history, opera in particular is an imitation of human willfulness; it is rooted in the fact that we not only have feelings but insist upon having them at whatever cost to ourselves.... The quality common to all the great operatic roles, e.g., Don Giovanni, Norma, Lucia, Tristan, Isolde, Brünnhilde, is that each of them is a passionate and willful state of being. In real life they would all be bores, even Don Giovanni.”
—W.H. (Wystan Hugh)
“If this be love, to clothe me with dark thoughts,
Haunting untrodden paths to wail apart;
My pleasures horror, music tragic notes,
Tears in mine eyes and sorrow at my heart.
If this be love, to live a living death,
Then do I love and draw this weary breath.”
—Samuel Daniel (1562–1619)
“A man in all the world’s new fashion planted,
That hath a mint of phrases in his brain.
One who the music of his own vain tongue
Doth ravish like enchanting harmony.”
—William Shakespeare (1564–1616)