Ballad Opera - Pastoral Ballad Opera

Pastoral Ballad Opera

A later development, also often referred to as ballad opera, was a more "pastoral" form. In subject matter, especially, these "ballad operas" were antithetical to the more satirical variety. In place of the rag-bag of pre-existing music found in (for example) The Beggar's Opera, the scores of these works consisted in the main of original music, although they not infrequently quoted folk melodies, or imitated them. Isaac Bickerstaffe's Love in a Village (1763) and Shield’s Rosina (1781) are typical examples. Interestingly, many of these works were introduced as after-pieces to performances of Italian operas.

Later in the century broader comedies such as Richard Brinsley Sheridan's The Duenna and the innumerable works of Charles Dibdin moved the balance back towards the original style, but there was little remaining of the impetus of the satirical ballad opera.

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Famous quotes containing the words pastoral, ballad and/or opera:

    Et in Arcadia ego.
    [I too am in Arcadia.]
    Anonymous, Anonymous.

    Tomb inscription, appearing in classical paintings by Guercino and Poussin, among others. The words probably mean that even the most ideal earthly lives are mortal. Arcadia, a mountainous region in the central Peloponnese, Greece, was the rustic abode of Pan, depicted in literature and art as a land of innocence and ease, and was the title of Sir Philip Sidney’s pastoral romance (1590)

    During the cattle drives, Texas cowboy music came into national significance. Its practical purpose is well known—it was used primarily to keep the herds quiet at night, for often a ballad sung loudly and continuously enough might prevent a stampede. However, the cowboy also sang because he liked to sing.... In this music of the range and trail is “the grayness of the prairies, the mournful minor note of a Texas norther, and a rhythm that fits the gait of the cowboy’s pony.”
    —Administration in the State of Texa, U.S. public relief program (1935-1943)

    A pretty air in an opera is prettier there than it could be anywhere else, I suppose, just as an honest man in politics shines more than he would elsewhere.
    Mark Twain [Samuel Langhorne Clemens] (1835–1910)