Museums Holding Important Balinese Painting Collection
There are many museums throughout the world holding a significant collection of Balinese paintings.
- Europe: In the Netherlands, the Tropenmuseum in Amsterdam and the Ethnographic Museum in Leiden, Museum Nusantara in Delft have a large number of paintings from the Wayang period (before 1920s) and the pre-War period (1920s - 1950s). Notably, the Leiden Ethnographic Museum holds the Rudolf Bonnet and Paul Spies collection. In Switzerland, the Ethnographic Museum in Basel holds the pre-War Batuan and Sanur paintings collected by Schlager and the artist Theo Meier. In late 2010, the Ethnographic Museum in Vienna (Austria) rediscovered the pre-war Balinese paintings collected by Potjewyd in mid-1930s.
- Asia: In Japan, the Asian Art Museum in Fukuoka holds an excellent Balinese collection after the Second World War. The Singapore National Art Museum has significant collection of pre-War and post-War Balinese paintings.
- Australia: The Australian Museum, Sydney, has a major collection of Kamasan and other traditional paintings assembled by the Anthropologist Anthony Forge. The National Gallery of Australia in Sydney holds some Balinese works.
- Indonesia: the Museum Sana Budaya in Yogyakarta and Museum Bentara Budaya in Jakarta. In Bali, pre-war Balinese drawings are at the holdings of the Bali Museum in Denpasar and Center for Documentation of Balinese Culture in Denpasar. In addition, there are four major museums in Ubud, Bali, with significant collections: Museum Puri Lukisan, Agung Rai Museum of Art, Neka Museum and Museum Rudana.
- America: Duke University Museum in Durham, American Museum of Natural History in New York, United Nations in New York.
Read more about this topic: Balinese Art
Famous quotes containing the words museums, holding, important, painting and/or collection:
“Museums are just a lot of lies, and the people who make art their business are mostly imposters.... We have infected the pictures in museums with all our stupidities, all our mistakes, all our poverty of spirit. We have turned them into petty and ridiculous things.”
—Pablo Picasso (18811973)
“It was a close place. I took it up, and held it in my hand. I was trembling, because Id got to decide, forever, betwixt two things, and I knowed it. I studied a minute, sort of holding my breath, and then says to myself: All right, then, Ill go to helland tore it up.”
—Mark Twain [Samuel Langhorne Clemens] (18351910)
“The basic difference between classical music and jazz is that in the former the music is always greater than its performanceBeethovens Violin Concerto, for instance, is always greater than its performancewhereas the way jazz is performed is always more important than what is being performed.”
—André Previn (b. 1929)
“One does a whole painting for one peach and people think just the oppositethat that particular peach is but a detail.”
—Pablo Picasso (18811973)
“What is all wisdom save a collection of platitudes? Take fifty of our current proverbial sayingsthey are so trite, so threadbare, that we can hardly bring our lips to utter them. None the less they embody the concentrated experience of the race and the man who orders his life according to their teaching cannot go far wrong.”
—Norman Douglas (18681952)