Landscape
The town hall is a former hunting lodge, built in 1660 by Prince Bishop of Augsburg, Sigismund Franz, Archduke of Tyrol. It was used as a summer residence by the prince bishops of Augsburg until 1805. After the secularization of the palace went over to the state, it then fell into private ownership as a guest house and schoolhouse, until it was finally became the town hall of the municipality. It still has an early baroque rococo fireplace.
The church of St. Jodokus in Bad Oberdorf was built in 1937-38 by Thomas Wechs to replace the old church but the present church contains several valuable pieces including a 1493 Byzantine style depiction of Madonna and Child and a 1519 carving on the altar by Jörg Lederer. There is a gothic life-size depiction of Christ on a donkey on Palm Sunday. Other panel paintings and statues of saints complete the facilities of the church.
The Evangelical Church is located on the banks of the Ostrach River and was established in 1628. The first wooden chapel was dedicated to St. Michael, but was destroyed by a storm on 18 January 1739. In 1748, a stone building was subsequently completed. On 30 October 1748 it was consecrated the chapel as Trinity Chapel. The altar of Jörg Lederer was one located in this chapel but was moved to St. Jodokus church in 1937.
Bad Oberdorf contains the Friedenshistorisches Museum and the Hinterstein Carriage Museum which has numerous displays related to carriages and wax models. It also contains the Upper Mill estate which dates back to 1433 and is now run as a museum and hotel. It contains a number of items related to Bad Hindelang's cultural heritage and old costumes of the millers etc. Also of note is the Dreikugelhaus in Bad Hindelang, built in 1671. The original owner was the salt merchant Thomas Scholl.
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Famous quotes containing the word landscape:
“One can describe a landscape in many different words and sentences, but one would not normally cut up a picture of a landscape and rearrange it in different patterns in order to describe it in different ways. Because a photograph is not composed of discrete units strung out in a linear row of meaningful pieces, we do not understand it by looking at one element after another in a set sequence. The photograph is understood in one act of seeing; it is perceived in a gestalt.”
—Joshua Meyrowitz, U.S. educator, media critic. “The Blurring of Public and Private Behaviors,” No Sense of Place: The Impact of Electronic Media on Social Behavior, Oxford University Press (1985)
“The landscape of the northern Sprawl woke confused memories of childhood for Case, dead grass tufting the cracks in a canted slab of freeway concrete. The train began to decelerate ten kilometers from the airport. Case watched the sun rise on the landscape of childhood, on broken slag and the rusting shells of refineries.”
—William Gibson (b. 1948)
“The curfew tolls the knell of parting day,
The lowing herd wind slowly o’er the lea,
The ploughman homeward plods his weary way,
And leaves the world to darkness and to me.
Now fades the glimmering landscape on the sight,
And all the air a solemn stillness holds,
Save where the beetle wheels his droning flight,
And drowsy tinklings lull the distant folds.”
—Thomas Gray (1716–1771)