Release and Reception
The single was initially intended to support their then-upcoming album, Always Outnumbered, Never Outgunned. However, the album got reworked and the song was removed from its tracklisting. Because of the song's release as a non-album single, in 2008, the band's official website's discography classified it as an EP.
Many critics disliked "Baby's Got a Temper" when released. PopMatters commented that the song "doesn’t sound like a great leap forward from the last Flint-fronted tracks, and that’s a big disappointment considering that we’ve been waiting five years for it." In addition, NME panned the song, and called The Prodigy "just total fucking idiots" while unfavorably comparing it to glue. Despite negative reviews, it was a commercial success, with the single being a top five hit on the Canadian Singles Chart.
A Traktor-directed music video for the song was released as a DVD single that included a short "making of" film. It featured three ordinary men, dressed in suits, who walk into a disused funfair. They enter a makeup trailer, dress up and apply makeup, turning out to be the band members, Howlett, Flint, and Maxim Reality. The group go onstage where they perform before a crowd consisting of cattle, which are milked by women dressed like strippers. The milk is then passed to a booth and sold to the public waiting outside who is desperate to get some in an addict manner. The video was apparently based upon one of Howlett's dreams.
Read more about this topic: Baby's Got A Temper
Famous quotes containing the words release and, release and/or reception:
“We read poetry because the poets, like ourselves, have been haunted by the inescapable tyranny of time and death; have suffered the pain of loss, and the more wearing, continuous pain of frustration and failure; and have had moods of unlooked-for release and peace. They have known and watched in themselves and others.”
—Elizabeth Drew (1887–1965)
“The near touch of death may be a release into life; if only it will break the egoistic will, and release that other flow.”
—D.H. (David Herbert)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)