Critical Reception
The tour garnered generally positive reviews from critics. Jeffrey Haney of the Deseret News described the show as "funky and flashy". A reporter from USA Today called Spears' performance "assured and energetic". Jim Farber of the Daily News pointed out that Spears seemed to have two personas during the show, one when singing songs from her album and a more edgy look when singing the covers. He also added that "Spears' nods to edginess no doubt reflects her desire to grow into a more mature career". Jae-Ha Kim of the Chicago Sun-Times said that Spears "showed why she has got a leg up on blonder competitors such as Christina Aguilera, Jessica Simpson and Mandy Moore. Aguilera may have a better voice (and a Grammy to validate it), but Spears has that 'it' factor that worked for pinup queens of the past, such as Farrah Fawcett". Adam Graham of Central Michigan Life commented that "although the show was only about 10 songs long and the authenticity of her voice was in question throughout, it was really truly hard to walk away feeling anything but completely gratified". Dave Tianen of the Milwaukee Journal Sentinel believed that the show "was energetic, good-humored, fast-paced and bright". Jane Ganahl of the San Francisco Chronicle said that "she may be somewhat entertaining, but she's also just another prefab act - longer on packaging than actual talent".
Read more about this topic: ...Baby One More Time Tour
Famous quotes containing the words critical and/or reception:
“Productive collaborations between family and school, therefore, will demand that parents and teachers recognize the critical importance of each other’s participation in the life of the child. This mutuality of knowledge, understanding, and empathy comes not only with a recognition of the child as the central purpose for the collaboration but also with a recognition of the need to maintain roles and relationships with children that are comprehensive, dynamic, and differentiated.”
—Sara Lawrence Lightfoot (20th century)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)