Babri Mosque - in Popular Culture

In Popular Culture

In fiction, Lajja, a controversial 1993 novel in Bengali by Bangladeshi writer Taslima Nasrin, has a story based in the days after the demolition. After its release, the author received death threats in her home country and has been living in exile ever since.

The events that transpired in the aftermath of the demolition and the riots are an important part of the plot of the films Bombay (1995), Daivanamathil (2005), both the films won the Nargis Dutt Award for Best Feature Film on National Integration at the respective National Film Awards; Naseem (1995), Striker (2010), and also mentioned in Slumdog Millionaire (2008). The file pictures from the television footage of the demolition of the mosque are shown as a flashback and as a cause of the subsequent communal riots and the Bombay blasts of 1993 in the film Black Friday (2004 film)

Read more about this topic:  Babri Mosque

Famous quotes containing the words popular culture, popular and/or culture:

    Popular culture entered my life as Shirley Temple, who was exactly my age and wrote a letter in the newspapers telling how her mother fixed spinach for her, with lots of butter.... I was impressed by Shirley Temple as a little girl my age who had power: she could write a piece for the newspapers and have it printed in her own handwriting.
    Adrienne Rich (b. 1929)

    For the people in government, rather than the people who pester it, Washington is an early-rising, hard-working city. It is a popular delusion that the government wastes vast amounts of money through inefficiency and sloth. Enormous effort and elaborate planning are required to waste this much money.
    —P.J. (Patrick Jake)

    Any historian of the literature of the modern age will take virtually for granted the adversary intention, the actually subversive intention, that characterizes modern writing—he will perceive its clear purpose of detaching the reader from the habits of thought and feeling that the larger culture imposes, of giving him a ground and a vantage point from which to judge and condemn, and perhaps revise, the culture that produces him.
    Lionel Trilling (1905–1975)