Babes in Toyland (1934 Film) - Plot

Plot

Although the 1934 film makes use of many of the characters in the original play, as well as several of the songs, the plot is almost completely unlike that of the original stage production. In contrast to the stage version, the film's story takes place entirely in Toyland, which is inhabited by Mother Goose (Virginia Karns) and other well known fairy tale characters.

Stannie Dum (Stan Laurel) and Ollie Dee (Oliver Hardy), live in a shoe (as in the nursery rhyme There Was An Old Woman Who Lived In A Shoe), along with Mother Peep (the Old Woman), Bo Peep (Charlotte Henry), a mouse resembling Mickey Mouse (and actually played by a live monkey in a costume), and many other children. The mortgage on the shoe is owned by the villainous Silas Barnaby (Henry Brandon), who is looking to marry Bo Peep. Stannie and Ollie set out to get the money for the mortgage from their boss, The Toymaker (William Burress). But after the Toymaker finds that Stannie has mixed up an order from Santa Claus (building 100 wooden soldiers at six feet tall, instead of 600 soldiers at one foot tall) and one of the soldiers wrecks the toy shop, Stannie and Ollie are fired without getting the money.

The two then hatch a plan to sneak into Barnaby's house and steal the mortgage, but are again foiled by their incompetence. Barnaby has them arrested on a burglary charge, and the two are sentenced to be dunked in the ducking stool and then banished to Bogeyland. But Barnaby agrees to drop the charges if Bo Peep will marry him. She reluctantly agrees, but not before Ollie suffers the dunking.

Stannie and Ollie come up with a new scheme. At the wedding, Ollie is present to give the bride away. After the nuptials, but before the ceremonial kiss, Ollie asks for the "wedding present" (the mortgage) from Barnaby. After inspecting it, Ollie tears it up, and then lifts the bride's veil — to reveal Stannie, who had worn Bo Peep's wedding dress to the ceremony. Bo Peep is still free, and the mortgage is gone. Ollie teases Stan about having to live with Barnaby as Stan cries saying "I don't LOVE him".

Enraged, Barnaby plots his revenge, eventually hitting on the idea of framing Bo Peep's true love, Tom, Tom, the Piper's Son (Felix Knight), on a trumped-up charge of "pignapping", and getting him banished to Bogeyland. Barnaby proceeds to abduct Little Elmer (Angelo Rossitto), one of the Three Little Pigs, and then has a henchman plant false evidence (including sausage links) in Tom-Tom's house. Tom-Tom is put on trial, convicted, and banished to Bogeyland, which he is taken to on a raft by two hooded executioners across an alligator infested river. A distraught Bo Peep follows him.

Meanwhile, Ollie and Stannie find evidence implicating Barnaby in the pignaping, including the fact that the alleged sausage links presented as evidence at Tom-Tom's trial are made of beef. They later find the kidnapped pig alive in Barnaby's cellar.

A manhunt commences for Barnaby, who flees to Bogeyland through a secret passageway at the bottom of an empty well. Stannie and Ollie eventually follow Barnaby down the well. Meanwhile, Bo Peep crosses the river to Bogeyland, finds Tom-Tom and explains Barnaby's trickery to him.

In a sequence cut from most of the television prints (the version shown on WPIX in New York retains this sequence), Tom-Tom sings a lullaby (Victor Herbert's Go to Sleep, Slumber Deep) to Bo-Peep in an enormous cave set with giant spider webs. Barnaby catches up to Tom-Tom and Bo Peep, and attempts to abduct Bo Peep but gets into a fight with Tom-Tom, who gives Barnaby a well-deserved thrashing.

Pursued by Barnaby, Bo Peep and Tom-Tom escape into the caverns of Bogeyland and run into Stannie and Ollie. The foursome escape back through the well and are welcomed by the town, who now realize Barnaby's treachery. An enraged Barnaby grabs a large stick and beats a stalactite to summon an army of Bogeymen. He leads an invasion of Toyland on a fleet of rafts in a scene reminiscent of the painting of Washington Crossing the Delaware.

Ollie and Stan tell their story to Old King Cole (Kewpie Morgan) (the King of Toyland) and the townspeople as two Bogeymen scale the wall and open the gate. The crowd flees in panic as the army of torch-wielding Bogeymen attacks Toyland. Ollie and Stannie run and hide in the toy shop. There they discover boxes of darts and use them to fight off the Bogeymen. Stan and Ollie then empty an entire box of darts into a cannon, but as the two search for the last remaining darts, they realize instead that they should activate the wooden soldiers. The "march" alluded to in the film's title begins as the soldiers march out of the toy shop (filmed in a stop-motion animation sequence by Roy Seawright). The scene changes to live action as the soldiers attack the Bogeymen with the bayonets of their rifles. Barnaby is defeated and trapped and covered by blocks that spell "rat", while the Bogeymen are routed and driven back into Bogeyland, where alligators appear to feast on them, although this is never made clear. The kingdom of Toyland is saved. Stan and Ollie decide to give the Bogeymen a parting shot with the dart-filled cannon. As Stan aims the cannon and lights the fuse, and Ollie turns away to avoid the loud blast, the barrel of the cannon flips backwards and unleashes the barrage of darts on Ollie, covering his back with darts. The film ends with Stan pulling them out one by one as Ollie winces.

Read more about this topic:  Babes In Toyland (1934 film)

Famous quotes containing the word plot:

    If you need a certain vitality you can only supply it yourself, or there comes a point, anyway, when no one’s actions but your own seem dramatically convincing and justifiable in the plot that the number of your days concocts.
    John Ashbery (b. 1927)

    There saw I how the secret felon wrought,
    And treason labouring in the traitor’s thought,
    And midwife Time the ripened plot to murder brought.
    Geoffrey Chaucer (1340?–1400)

    There comes a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.
    Ralph Waldo Emerson (1803–1882)