In Popular Culture
The Unicode character set has characters for each of the eight trigrams at codepoints U+2630 to U+2637: (☰ ☱ ☲ ☳ ☴ ☵ ☶ ☷).
In Jackie Chan Adventures, the trigrams are each written on a face of the Pan'ku Box and each of the trigrams represent their own demon sorcerer.
The television series Lost incorporated the bagua into the logos for the DHARMA Initiative.
In the anime and manga Naruto, the Hyuga clan's main attack is the Eight Trigrams Sixty-Four Palms.
In the anime Cowboy Bebop episode "Boogie Woogie Feng Shui", the device that Maefa uses with the sunstone contains trigrams from the bagua.
The 8 Diagrams, an album released by The Wu-Tang Clan in 2007, features an adaptation of the Bagua map on its cover.
In the film G.I. Joe: The Rise of Cobra, Snake-Eyes has the Bagua symbols for water and fire printed on the arm of his uniform, since the original comics had the same symbols as the arm tattoo used by members of the Arashikage clan (Snake-Eyes and Storm Shadow's clan).
In the movie The Karate Kid, the matches in the final contest sequence take place on large circular Bagua arrangements that delimit the combat area.
In the cartoon series Avatar: The Last Airbender, Airbending is based on Ba Gua. The Ba Gua appears again on Air Temple Island in Avatar's sequel series The Legend of Korra
In Touhou Project, a bullet hell series, the character Marisa Kirisame uses a "mini-Hakkero" with one of the Ba gua diagrams on it.
Marilyn Manson's 8th studio album, "Born Villain", makes extensive visual use of the trigrams.
Read more about this topic: Ba Gua
Famous quotes containing the words popular culture, popular and/or culture:
“The lowest form of popular culture—lack of information, misinformation, disinformation, and a contempt for the truth or the reality of most people’s lives—has overrun real journalism. Today, ordinary Americans are being stuffed with garbage.”
—Carl Bernstein (b. 1944)
“There’s that popular misconception of man as something between a brute and an angel. Actually man is in transit between brute and God.”
—Norman Mailer (b. 1923)
“There has never been in history another such culture as the Western civilization M a culture which has practiced the belief that the physical and social environment of man is subject to rational manipulation and that history is subject to the will and action of man; whereas central to the traditional cultures of the rivals of Western civilization, those of Africa and Asia, is a belief that it is environment that dominates man.”
—Ishmael Reed (b. 1938)