Culture
Main article: Culture of HaitiHaiti has a long and storied history and therefore retains a rich culture. Haitian culture is a mixture of primarily French, African elements, and native Taíno, with influence from the colonial Spanish. The country's customs essentially are a blend of cultural beliefs that derived from the various ethnic groups that inhabited the island of Hispaniola. In nearly all aspects of modern Haitian society however, the European and African elements dominate. Haiti is world famous for its distinctive art, notably painting and sculpture.
The music of Haiti is influenced mostly by European colonial ties and African migration (through slavery). In the case of European colonization, musical influence has derived primarily from the French, however Haitian music has been influenced to a significant extent by its Spanish-speaking neighbors, the Dominican Republic and Cuba, whose Spanish-infused music has contributed much to the country's musical genres as well. Styles of music unique to the nation of Haiti include music derived from Voodoo ceremonial traditions, Rara parading music, troubadour ballads, and the wildly popular Compas.
Compas (in French) or Kompa (in Creole) is a complex, ever-changing music that arose from African rhythms and European ballroom dancing, mixed with Haiti's bourgeois culture. It is a refined music, played with an underpinning of tipico, and méringue (related to Dominican merengue) as a basic rhythm. Haiti had no recorded music until 1937 when Jazz Guignard was recorded non-commercially. One of the most popular Haitian artists is Wyclef Jean. Wyclef Jean, however, left the country before his teenage years. His music is somewhat hip-hop mixed with world music.
Brilliant colors, naive perspective and sly humor characterize Haitian art. Frequent subjects in Haitian art include big, delectable foods, lush landscapes, market activities, jungle animals, rituals, dances, and gods. Artists frequently paint in fables. People are disguised as animals and animals are transformed into people. In a mostly illiterate land, symbols take on great meaning. For example, a rooster often represents Aristide and the red and blue colors of the Haitian flag often represent his Lavalas party. Many artists cluster in ‘schools’ of painting, such as the Cap-Haïtien school, which features depictions of daily life in the city, the Jacmel School, which reflects the steep mountains and bays of that coastal town, or the Saint-Soleil School, which is characterized by abstracted human forms and is heavily influenced by Voodoo symbolism.
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