Plot
Charlie is busy showing various thing in the form of a dramatic presentation that ends with him as the major thing and this causes the people present to walk away in disgust. Charlie then hitches a ride a pet shop truck. He arrives in Porky's hotel room who kicks him out. Porky calls the pet shop owner saying: "I ordered a canary not a monster!".
Porky proceeds to try throwing the dog out several times but fails, including an incident in which Charlie pretends to be a baby ("Censorship") and fails causing Charlie to drive him out disguised as an old lady and Charlie succeeds; he is driven out after Porky closes the window after Charlie jumps outside as part of a fake suicide gag.
Charlie begs in for Porky to keep him after he infiltrates in a lunch platter, he manages to coax Porky into adopting him after promising to do several chores. Porky pretends to have Charlie as his pet but, with an evil cackle, wraps Charlie and sends him to Siberia, but he ends up coming back kicking Porky in the rear while doing the Siberian Steps (see Censorship). Porky's noise awakens the upstairs neighbor, who then proceeds to call Charlie and threatens him by saying he will come down to stop the noise if it doesn't stop. Charlie responds by counter-threatening the man. Charlie tricks Porky into going upstairs and the man then proceeds to beat him up.
The man then returns with a beaten up Porky who finally submits to make Charlie his pet. However, Charlie decides otherwise and wants to leave due to Porky's place being uncomfortable to live in; as he tries to walk out the door, Porky proceeds to approach him with an evil look in his eyes as he forces Charlie to stay. The screen fades to black and then the cartoon ends with a scene from earlier with the roles of dog and master from an earlier but reversed; with Charlie trying to leave but being forced back into the chair when Porky growls at him.
Read more about this topic: Awful Orphan
Famous quotes containing the word plot:
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)
“Ends in themselves, my letters plot no change;
They carry nothing dutiable; they won’t
Aspire, astound, establish or estrange.”
—Philip Larkin (1922–1986)
“Trade and the streets ensnare us,
Our bodies are weak and worn;
We plot and corrupt each other,
And we despoil the unborn.”
—Ralph Waldo Emerson (1803–1882)