Popular Culture
The Avro Lancaster featured prominently in the 1955 film The Dam Busters, and a number of B VII Lancasters in storage were modified to the original configuration of the B III (Special) for use on screen. The Lancaster also plays a central role in Bomber, the 1970 novel by Len Deighton about a night raid on a fictional German town by a formation of RAF bombers. It also featured in a 1989 British commercial for Carling Black Label lager which reused footage in a Dam Busters parody sequence in which a German soldier on top of a dam was catching the bombs in the manner of a football goalkeeper. The pilot of the attacking Lancaster then delivers the brand slogan: "I bet he drinks Carling Black Label!" The commercial ran for many years, frequently appearing in commercial breaks during broadcasts of both the The Dam Busters and of documentaries about Operation Chastise. The Avro Lancaster was also featured in the UK TV series Pathfinders, airing in 1972 and released on DVD in 2006, concentrating on the lives of the aircrew of a fictional Pathfinder squadron during the Second World War. Other films in which the Lancaster appeared include Appointment in London (1952) and The Guns of Navarone (1961).
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Famous quotes containing the words popular culture, popular and/or culture:
“Popular culture is seductive; high culture is imperious.”
—Mason Cooley (b. 1927)
“Resorts advertised for waitresses, specifying that they “must appear in short clothes or no engagement.” Below a Gospel Guide column headed, “Where our Local Divines Will Hang Out Tomorrow,” was an account of spirited gun play at the Bon Ton. In Jeff Winney’s California Concert Hall, patrons “bucked the tiger” under the watchful eye of Kitty Crawhurst, popular “lady” gambler.”
—Administration in the State of Colo, U.S. public relief program (1935-1943)
“The future is built on brains, not prom court, as most people can tell you after attending their high school reunion. But you’d never know it by talking to kids or listening to the messages they get from the culture and even from their schools.”
—Anna Quindlen (b. 1953)