The Avery Architectural and Fine Arts Library is one of twenty-five libraries in the Columbia University Library System and is located in Avery Hall on the Morningside Heights campus of Columbia University in the City of New York. It is the largest architecture library in the world. Serving Columbia's Graduate School of Architecture, Planning and Preservation and the Department of Art History, Avery Library collects books and periodicals in architecture, historic preservation, art history, painting, sculpting, graphic arts, decorative arts, city planning, real estate, and archaeology, as well as archival materials primarily documenting 19th- and 20th-century American architects and architecture. The architectural, fine arts, and archival collections are non-circulating. The Ware Collection, mainly books on urban planning and real estate development, does circulate.
Avery Library is named for New York architect Henry Ogden Avery, a friend of William Robert Ware, who was appointed the first professor of architecture at Columbia University in 1881. Soon after Avery's death in 1890, his parents, Samuel Putnam Avery and Mary Ogden Avery, established the library as a memorial to their son. They offered his collection of 2,000 books, mostly in architecture, archaeology, and the decorative arts, many of his original drawings, as well as funds to round out the book collection and to create an endowment. The Library now holds more than 400,000 volumes and currently receives approximately 900 periodicals, with legacy holdings of approximately 1,900 serial titles. The library's historic first-level reading room is a significant example of work by the New York architectural firm McKim, Mead, and White. The library building itself, also designed by McKim, Mead, and White, celebrated its 100th anniversary in 2012.
Read more about Avery Architectural And Fine Arts Library: Collection, Avery Index
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—Tex Avery [Fred Avery] (1907–1980)
“After mist has wrapped us again
in fine wool, may the taste of salt
recall to us the great depths about us.”
—Denise Levertov (b. 1923)
“Women hock their jewels and their husbands’ insurance policies to acquire an unaccustomed shade in hair or crêpe de chine. Why then is it that when anyone commits anything novel in the arts he should be always greeted by this same peevish howl of pain and surprise? One is led to suspect that the interest people show in these much talked of commodities, painting, music, and writing, cannot be very deep or very genuine when they so wince under an unexpected impact.”
—John Dos Passos (1896–1970)
“Every library should try to be complete on something, if it were only the history of pinheads.”
—Oliver Wendell Holmes, Sr. (1809–1894)