Authentic Science Fiction was a British science fiction magazine published in the 1950s that ran for 85 issues under three editors: Gordon Landsborough, H.J. Campbell, and E.C. Tubb. The magazine was published by Hamilton and Co., and began in 1951 as a series of novels appearing every two weeks; by the summer it became a monthly magazine, with readers' letters and an editorial page, though fiction content was still restricted to a single novel. In 1952 short fiction began to appear alongside the novels, and within two more years it completed the transformation into a science fiction magazine.
Authentic published little in the way of important or ground-breaking fiction, though it did print Charles L. Harness's "The Rose", which later became well-regarded. The poor rates of pay—£1 per 1,000 words—prevented the magazine from attracting the best writers. During much of its life it competed against three other moderately successful British science fiction magazines, as well as the American science fiction magazine market. Hamilton folded the magazine in October 1957, because they needed cash to finance an investment in the UK rights to an American best-selling novel.
Read more about Authentic Science Fiction: History, Contents and Reception, Bibliographic Details
Famous quotes containing the words science fiction, authentic, science and/or fiction:
“Science fiction films are not about science. They are about disaster, which is one of the oldest subjects of art.”
—Susan Sontag (b. 1933)
“O, when degree is shaked,
Which is the ladder of all high designs,
The enterprise is sick. How could communities,
Degrees in schools, and brotherhoods in cities,
Peaceful commerce from dividable shores,
The primogeniture and due of birth,
Prerogative of age, crowns, scepters, laurels,
But by degree stand in authentic place?
Take but degree away, untune that string,
And hark what discord follows. Each thing meets
In mere oppugnancy.”
—William Shakespeare (15641616)
“For twenty-five centuries, Western knowledge has tried to look upon the world. It has failed to understand that the world is not for the beholding. It is for hearing. It is not legible, but audible. Our science has always desired to monitor, measure, abstract, and castrate meaning, forgetting that life is full of noise and that death alone is silent: work noise, noise of man, and noise of beast. Noise bought, sold, or prohibited. Nothing essential happens in the absence of noise.”
—Jacques Attali (b. 1943)
“If there were genders to genres, fiction would be unquestionably feminine.”
—William Gass (b. 1924)