The Australian String Academy (ASA) is an arts education organisation which runs programs for string players from Australia and around the world. It was founded in 2004 by the violin professor Peter Zhang. The Honorary Artistic Director is Australian-born Charmian Gadd.
The ASA is not a full-time academy or music school in itself, but is an educational arts body which runs various programs during the year. Its main event, the international Summer School, was modelled after the much older Meadowmount School in New York State, founded by Ivan Galamian. It is a 2-week program for young violinists, violists, cellists, bassists, participating in solo and chamber music activities. The Academy's latest additions include a 'collaborative piano' program, in which pianists work with string players in chamber music groups as well as being accompanists, and a Dalcroze eurhythmics course.
The ASA aims at bringing new opportunities to young string players in Australia, and is also open to international students. The faculty has included many distinguished pedagogues and artists, including Paul Ellison, Robert Masters, Charles Avsharian, Owen Carman, Gerardo Ribeiro, Patricia McCarty, and Uzi Wiesel.
Famous quotes containing the words australian, string and/or academy:
“Each Australian is a Ulysses.”
—Christina Stead (19021983)
“The Indian remarked as before, Must have hard wood to cook moose-meat, as if that were a maxim, and proceeded to get it. My companion cooked some in California fashion, winding a long string of the meat round a stick and slowly turning it in his hand before the fire. It was very good. But the Indian, not approving of the mode, or because he was not allowed to cook it his own way, would not taste it.”
—Henry David Thoreau (18171862)
“I realized early on that the academy and the literary world alikeand I dont think there really is a distinction between the twoare always dominated by fools, knaves, charlatans and bureaucrats. And that being the case, any human being, male or female, of whatever status, who has a voice of her or his own, is not going to be liked.”
—Harold Bloom (b. 1930)